Pale Rider needed a good sweat. His body craved the release of toxins and his mind felt clogged with civilization. He needed to sit with People of the Earth and chant, allowing the free flow of culture and wisdom to pass between and fill the holes in his life. It didn’t matter if his sweat brothers were Apache or Shoshone or Lakota as long as the tent held steam enough to clear his mind.
Gary still had some paper to use up. He didn’t want anything to go to waste. He had ordered personalized stationery for years and relished any opportunity to use it. This particular batch featured a thick black line across the top of the page with his name standing out in the most powerful font he believed to have ever existed. He had decided to hand write it, Gary was quite proud of his penmanship and had received countless compliments about it over the years, along with decorations from his school days. It went as follows…
Fred Furk is mowing the grass when all asudden KABOOM! Next thing he knows, he’s spread out on his back clean across the yard. Lucky Girl, his Black Lab, is licking his face, and Doris is standing over him. She’s moving her lips, but he don’t hear a thing. Then it all goes dark again.
The fight starts in the kitchen between a couple of chefs, which means it could be about any number of things (drugs, booze, girls, hours, pay), but because Terry and Sean are a pair of obnoxious, stupid assholes, it’s about some soup. Terry thinks the bisque could use some paprika, but Sean fucking hates paprika.
That’s it. That’s all it takes to set them off.
I prefer my Tel Aviv from the vintage days – before the upper crust skyscrapers disturbed the eyes and the hype the ears, and most of all, before the arrival of the glitzy marina. I berth my skiff wherever I find a bit of sand on the shore that hasn’t yet been taken for private development. Nobody disturbs the boat — it’s been around so long they know it’s mine — vintage, like me. I make it a point to fish with my back to the skyscrapers, facing the horizon.
I still can’t believe how long it took me. To realise. Between the time she left – slammed the front door – and me making the connection. Incredible!
And all the time, the facts were staring me in the face.
By the time Slap Happy was born, his parents, Jacob and Evelyn Happerson, had abandoned the circus life and were running a successful dry cleaning business in Canton, Ohio. Gone was the excitement of The Big Top, replaced by hard work and the strong desire to provide their only child with nothing but the best. Jacob held out hope that maybe one day he and Evelyn would return to the circus so his son could follow in his old man’s clown shoes, but Evelyn was quick to put the kibosh on any such idea.