“My cup runneth over.” – David
Many who love Leonard Cohen and his most famous song, “Hallelujah,” are not aware that the song is a STORY SONG about the biblical character of David.
David is a religious figure for billions of people on the planet; he is, for sure, a historical figure; and he’s considered in this essay as a literary character, mostly.
Continue reading “Sunday Whatever: The Faith So Great by Dale Barrigar”
Why and how and what do we write? This question could (and probably should) be reordered and its verb could equally be changed to paint, sculpt, act, dance … Human beings do these strange things to make their mark, a little stand against the indifferent and inexorable passage of time, and have been doing so, it seems, ever since they could, as has been revealed in distant caves: stencilled hands in Argentina and pictures of pig hunting in Sulawesi. This brings to mind for some reason a discreet headline I spotted years ago in a once reputable newspaper: ‘Carvings twice as old as thought.’ Were they being done instinctively, or was the sub-editor mischievous or sloppy? But the original question was about writing. Does graffiti count? Seen by some as an ugly nuisance, by others as valid self-expression, it can be inane – Kilroy woz ere – or emotionally significant to the inscriber – Jack cartoon heart with an arrow through it Jill – and innocent enough as it competes with similar 2,000-year-old declarations on ancient monuments; the lovers are marking a moment in their own story (or stories if the imagined one takes a new direction). Maybe all writing is about story: the shopping list a snapshot of my diet and tastes at one time; the letter a revelation (or concealment) of how I feel about what’s going on in my life and in the wider world; even the essay exposes thoughts or beliefs that may change the next day. Or maybe it’s even more fundamental than that: the power and promise of the word, the uttering of a certain form of words in the incantations of religion and magic, the straining of a word in select company towards the ineffable. In the beginning was the Word.
Continue reading “Sunday Whatever. An Essay – No One But a Blockhead Would by Stephen Silvester”
The legend about him, or I should say one of the many legends about him, is that he was nine feet tall.
No one now believes that the great Chinese teacher Confucius was really nine feet tall.
Nine is a magic number. That number was chosen for a reason.
Saying that Confucius was nine feet tall meant, and means, that his ideas, and his presence, were nine feet tall.
Continue reading “Sunday Whatever – Confucius Still Speaks an essay by Dale Williams Barrigar”
Every great writer, if they want to be a great writer, needs to be able to break it all down into the simplest thing.
For Shakespeare, it’s “To be, or…” and one, or a few, of the sonnets, as well as Juliet on her balcony.
For Cervantes, it’s Don Quixote, his horse Rocinante, and the windmill they think is a giant.
For Goethe, it’s Faust making a deal with the Devil.
For Jack Kerouac, author of On the Road (1957), it’s SKID ROW WINE.
Continue reading “Sunday Whatever:- Skid Row Wine an Essay by Dale Williams Barrigar”
“The dead don’t die.” – Jeff Tweedy
Whoever believes that a 58-year-old man can’t rock out any more hasn’t heard (or has heard and hasn’t understood) Jeff Tweedy’s new song “Lou Reed Was My Babysitter” from his 2025 triple album Twilight Override.
The symbolic title of this song alone is worth volumes as it encapsulates an American way of life, for good and ill, in five words.
Anything with Lou in it has to be great, or near-great, to justify the use of his name and this song is.
Continue reading “Sunday Whatever: Tweedy on Reed an essay from Dale Williams Barrigar.”
An Unfaithful Translation of Arthur Rimbaud’s Une Saison en Enfer; Prologue & Ist Chapter: by Geraint Jonathan
Continue reading “Sunday Whatever – Meanwhile In Hell, It’s Spring: by Geraint Jonathan”
Or: To Know Buk Better You Need to Know Buk’s
Or: Start with This First
I’m tired and sick of people who slam Bukowski without knowing what he’s really all about.
If you don’t know, don’t say. An apothegm that should apply to all areas of life. And, think about whether you really do know it before you say it. And analyze what you said afterward, too. Not obsess over, not ruminate upon in a psychologically distressing fashion: ANALYZE. Harold Bloom said that Shakespeare invented the human by showing us how his characters listen to themselves, not to each other, which I never really understood until right now.
To Buk himself I say, these MISUNDERSTANDINGS I’m snarling at must be partly the wages of having become so well-known, sir, like you both did and did not say you wanted to. By the end of the century, you will have outgrown Hemmie (but he will still be there).
Continue reading “Sunday Whatever. A Readers Guide to Bukowski;”
(Adapted from the prose-poem, Mademoiselle Bistouri, by Charles Baudelaire)
I knew him for a doctor right away. He wasn’t tall, and he was dressed in black, from top to toe. A gentleman and a doctor. On a night visit, I shouldn’t wonder. Come with me, I said, even though he’d said he wasn’t a doctor. Not a doctor? Haha . . . Just like a doctor, that. It’s the humour. I’ll treat you, I said. I only live round the corner. You just call me Miss.
Continue reading “Sunday Whatever – Doctor Everywhere by Geraint Jonathan”
When I attended graduate school for writing in the midwestern USA in the mid and late 1990s, all the best classes and writing workshops were held in bars, pubs, and-or saloons. A slight exaggeration, but only slightly. It was the tail end of an era when drinking and writing, at least in the USA, were still seen by many as activities that go hand in hand. And hand in hand with drinking goes smoking, so most of the drinking writers in the writing workshops were also smokers too, either heavy, medium, or light. The second-hand smoke that was consumed along with the first-hand smoke along with the beers along with the shots of whisky while writing was being discussed in the writing workshops that were happening in the bars, makes me not wonder why I already have Stage One Emphysema nor why I’ve already had a stroke. I’m healthy as a horse otherwise (yes this is possible) and I’ve already done what you need to do to slow emphysema down which is quit smoking. I stopped drinking twenty-one years ago and there is no doubt that I would be dead now if I had not stopped drinking. Three of my writing teachers from those days are dead from drinking and smoking even though, if alive, they would not yet be 80 years old. All three of them died from some combination of chain-smoking cigarettes and alcoholism, the functional, working variety of it, that is. These men never stopped working. But they also never stopped drinking or smoking. And it put them in an early grave, just as it promises to do for almost everyone who goes too far with any of these activities. My fellow students in the writing programs were also alcoholics. One of them I almost married, except that she turned out to be an even bigger alcoholic than I was. It’s sad to see a brilliant brain slowly bludgeon itself into submission right in front of your eyes when you yourself have already done the necessary work that is required to save yourself from a similar fate. Keith Richards quit heroin in the 1970s before it killed him and his girlfriend refused to do so which is why he had to tell her sayonara, beautiful lady.
Continue reading “Sunday Whatever Escaping from Prison: A How-to Article By Dale Williams Barrigar”
A Piece by Mr Foote that we weren’t sure where it fitted and so a Sunday Treat.
Continue reading “Sunday Whatever – Style by Frederick K Foote”
