Dad and I are shooting brown rats at the Putnam County Dump. I’ve got me a .22 Long Rifle while Dad has a Winchester 70 with a scope. We keep a tally of the rats we shoot ’cause that makes it a bonding experience. So far, I’ve plastered six of them while Dad’s shot seventeen. We’re shooting good ’cause there’s a harvest moon out and we can see them like it was daylight. And Dad’s been swigging Johnny Walker to keep his hands from shaking. A couple belts of Johnny Walker turns Dad into Daniel Boone.
The communal bathroom was a lot cleaner than she thought it would be. This was the first time that she’d been in. She reckoned dust would be more of a problem than shit as everyone must have used their en-suites.
There was a hole in my ceiling, directly over my bed. I’d been awoken from a deep and nurturing sleep by a whooshing sound. Air pouring in through the hole made this sound. As I rubbed my eyes, I wondered if a meteorite had smashed through the roof. I live on the top floor of my tenement and have often speculated what would happen if a meteorite were to blaze down from the heavens and smash through the roof. I arose and thanked God for no rain. Had it rained that morning my bed would have been doused. But as it was the sky presented a plentifully blue bouquet, with feathered boa clouds gently snaking over the city ramparts.
There’s been a good deal of debate around LS towers this week about censorship. Self-censorship to be slightly less vague. The conscious and unconscious decisions made by authors to tone down content to be entirely more accurate.
Swearing is the main culprit but there are others – and in most cases what it seems to come down to is the ability (or inability) to separate author and character.
Nothing can come when it’s forced.
Or when distractions pile up too high.
Or when the font is too thick.
That’s what aspiring writer Fin Palworth thought to himself as he looked at his computer screen and pondered over the stubborn foolishness driving his futile attempts to become an author.
“I ran all the way home, just to say I’m sorry.” The Impalas (1959)
It was his wife, Amylyn, who had initiated the separation. She was hoping to light a spark under his lazy butt. But instead of grasping the importance of what his wife was trying to say to him, Sean motored down to Portland and met Charlene at a vegan strip club. Continue reading
Silvia said that from some angles I looked handsome; she left me when another man convinced her that she was beautiful. I tore her picture and put on a kettle of tea. I munched a corn muffin and contemplated my fate. I’d exposed my heart like a puppy’s underbelly. Emotional involvement was the problem. I’d begin a no-female diet. I’d tone down all my relationships and avoid acquaintances whose neck veins bulged in discussions over gay marriage, climate change, or how to cultivate tomatoes. I’d develop a Solomon’s coolness in the face of thorny disputes. My wisdom was often ignored, so I’d stop giving advice. I’d be cheerful because likeability was the most important quality. My superiors would dote on me. Even better, I’d enter politics. Why sweat when I could earn money for flattery and smiles? I’d inflate others’ self-importance. Praise would be the opiate I dispersed; I’d seek people for whom no complement was too grandiose to swallow as truth. My face would be a smiling mask; no one would see behind the image. Insult and injury would be swirled and swallowed. Like a jagged rock plunged into the belly of life’s giant mixer, I’d smooth myself into an indistinguishable shape.