It occurred to me during our second date that Mike didn’t exist in real time.
When we first met, he was friendly—cruelty-free, like a human-sized rabbit. We ate at a sub shop, but first, he drove us backwards through the drive-thru of a shuttered restaurant. Big, white truck built for long hauls and first impressions. The perfect way to convey unspecified wants.
This story has been removed at the request of the author.
Banner Image: Pixabay.com
The Year You Were Born:
Your mother leaned forward in an aluminum lawn chair, scrunched her toes into the grass as the hot wind blew waves through her summer dress. She took another fleshy bite of watermelon and let her eyes slide closed as she savored the cool sweetness that filled her mouth. Your dad sat at the picnic table drinking a can of beer. He cupped a match from the breeze and lit a cigarette, and when your mother leaned forward, he stole a glimpse of her swollen breasts through his exhale.
We stared at the gravestone.
Tess Jones
A bad wife, but an adequate mother and grandmother
Henry watched the girl in her drop-waisted dress, heavy brown hair tied up in an even heavier bow, as she scrubbed molasses off the drive chain of the Black Beauty bicycle. She worked the delicate brushes through the tiny crevices, dunking them in saltwater — a necessary evil — to free them of gook. Her dress was stained, and brown water dripped over her knees.
Rain is pounding on the cobblestones of Place Luxembourg as people cluster to the bars around the square for an after work drink. Colorful umbrellas alternate with newspapers hastily turned into makeshift headgear and the occasional “Merde!” can be heard when a passing car splashes water on a pedestrian.
It’s three feet farther to hell from New Town Bridge. The city recently installed an eighteen-inch “safety” extension to the pedestrian rail. Since it opened in 1978, at least twenty persons have jumped off the ugly gray span and found death waiting two-hundred feet below in the beckoning Philo Bay Narrows. Northern seas swiftly kill the pain; and when that comforting certainty outweighs the threat of damnation, I don’t see another foot and a half up, and down, getting in the way.
The scene is set on the top floor of an old greystone apartment in Chicago’s North Side, the windows of which look out to a black Lake Michigan. Two plates sit on a pub table. One is cleaned and on the other half a pasta portion remains. The diners have taken the wine to the couch, where they are presently reposed; John with his feet up on the coffee table, Lauren with her legs across his lap, her head on a pillow on the far side. Sinatra plays faintly from a speaker, about the same volume as the crackling fire across them. John reads and Lauren thinks. But then….
Nineteen is the number of times I stabbed my father. One in each forearm, shoulder, thigh, calves. Neck back stomach balls. Between two ribs the knife plunged and pierced one lung, two, and caught on a shard of bone, a tendon shred. Wrench tug free. I’d pictured each puncture in detail one by one. Not over and over on loop like some freak but while waiting for the bus or falling asleep I thought about the order of it, in and out and back in, the quiet shrill of it. Muscle rip against blade, bone scrape against metal.
Acton had never spent much time contemplating writer’s block. This had everything to do with the fact that he had never previously found himself its victim. Perhaps everything is too strong a word. Acton had no trouble considering the ins and outs of things and events he had no personal experience with—although these things and events necessarily carried with them some intellectual element that sparked his curiosity in the first place. Writer’s block, as an idea, had never presented such an element to command his attention, and on top of that, it seemed too cliché a notion to even deserve it. Nevertheless, the prejudice of abstraction doesn’t always hold up under the weight of actual experience, and he now found writer’s block to be a fascinating object of examination.
Acton was at his desk, unable to write.
