I see the guitar case first, full more of hope than of the hard currency of shining coins. The kid sits on the pavement, half-hidden in the shadow of a low granite wall. He’s doing a pretty fair rendition of Hey Joe, working a beat-up acoustic guitar. The thing needs new strings, but he’s getting it done. That strange magic, the universal language of rock lyrics, washes away the kid’s Austrian accent. The chords walk down the neck, Joe kills his woman, the crowd ignores the kid.
Continue reading “The Busker by Marco Etheridge” →