Tag: Literally Reruns

L’Erin Ogle’s Try, Try Again underscores her ability to quickly weave a story thread into something three dimensional. She begins now then curves in some ago and presses on toward next. Her stories make clear sense, but they do not always take a linear path.

“Very Strong Adult Content–Please do not read if offended by strong language or explicit sexual content” is attached to Hugh’s Only Business.

The Busker is the first story, but certainly not the last, written by Marco Etheridge to appear on the site. It is a simple piece that changes keys and time signatures and passes from Vienna to New Orleans and back. There’s something lost and forlorn about it and it has the magic to transport me to two places I have yet to visit, in person.

Nobody knew at the opening of 2021 that Yashshar Seyedbagheri would have a record breaking year on the site. At this moment, on an otherwise forgettable Saturday morning in the Summer of ‘21, Yash has appeared thirty times, with more to come. In fact we will be running out of year before all of Yash’s acceptances in 2021 will be posted. It looks like 2022 will be another Red Letter year for this author at Literally Stories.

Ironic contrast and compare fiction is easy to conceive but tough to deliver. Thus Authentic by David Lohrey is a piece that underscores its own name. The story is simple enough but the author deftly captures a moment and lets it go unharmed. It’s a little thing, like a hummingbird, easily damaged if handled without care.

Life as interpreted through the eyes of a child is a tricky thing for an adult writer to pull off gracefully. We can remember believing certain things as children, but not why. The most challenging aspects are understanding adults; parents tell children that grown ups know what they are doing, even though they know that is usually not the case.

There’s always something that is both hidden and in plain sight at the same time in Hugh Cron’s stories, and Jim’s Aunts definitely has that quality in abundance. Although it is a short piece, all the words tell and the thing that it causes to form early on in the back of your head comes to light with the final sentence–even though it is also open ended.

Diane M. Dickson is a successful Crime novelist; I’ve read three of her excellent eighteen books so far, but I have yet to see anything like the Brush Off in any of them.