It was a late spring day in 1981. Ana Severino clocked off early from the paediatrics ward in Hospital de Madrid. The new national healthcare system meant there were more and more staff on the ward, so no-one would notice her leave a few minutes before the end of her shift.
Maya waits on the church stage in an ankle length black dress with white stripes holding a flute. She stares at a giant window covered in coloured plastic panels that play with the light. Looking at all those colours, she can’t tell if outside is cloudy, raining, or sunny. One blue panel has a spider web crack across its surface.
“Reload the story,” Harry said.
“Harry, I just—”
“Please?”
Kenneth sighed and clicked the arrow icon. Their network connection was slow in the mornings and the page reconfigured slowly. First came the bold, enlarged headline, followed by the ads. The smaller print loaded last. Kenneth and Harry skimmed the entire article again but it read the same as before, no updates or revisions of any kind. The suspect is in a blue Volkswagen Passat heading southbound on I-5. Police are urging other motorists to avoid—
Miss Margaret McTuckleberry is incredibly tall, incredibly thin, and incredibly strong. Strong enough that, if she wanted, she could pick up a troublesome visitor to her pub by the scruff of his neck and throw him out of the front door from several paces, sending him sailing straight over the porch and onto the gravel just outside “The Dancing Bear”, perhaps the toughest and most notorious pub of all the pubs in perhaps one of the toughest and most notorious counties of the entire United Kingdom, the county of Kent.
You weren’t yourself, that night.
Usually, when you got back late, you went straight to bed. I’d wait for ten minutes or so, until you’d finished clattering about up there, then creep up the stairs and slip into bed beside you. And then lie awake, staring at the ceiling. Listening to the clock. Tick. Tock. Trying not to wonder where you’d been, and with whom, and what you might’ve got up to.
Distraction by Sharon HajjIn the morning, I like to bury my dreams under the pillow so I can immediately check my to-do list:
I sit in silence amid the scattered, worthless rubble of what were the symbols of your life’s bright flashes and triumphs that you hold so dear. These shattered remains lay in tribute to unbridled, hate-filled rage, spawned from the union of betrayal and deceit.
Jane couldn’t keep her clothes on.
She’d been arrested a few times on public decency charges but when the authorities witnessed her prison togs repelling themselves from her, the charges were dropped.
She was referred to experts on everything but there were no experts on spontaneous clothing removal by the clothing itself.
His name was Amos Clark, 75 years old if a day, and on one of those days at the little decrepit house where the dowser used to live, this kind-looking man with a beard came carrying all he owned on an A-frame on his back. He set his A-frame on the ground and looked at the small house needing much work on the outside and quickly imagined what the inside of the house looked like. Old muscles, in a twist of memory, began to move under his shirt.
Continue reading “The Lost Notes of a Carpenter’s Song by Tom Sheehan”
This conversation is with old red wine that brings you, brother, out of surging daylight to fill the doorway like a mailman with a bad letter or telegram. Specters leap out of this old mixture, the blood of grape, the fine chalk it paints teeth with, a whole day of sunlight collared in a tumbler, a red sunset too far away to tell where. You went off to that sunset once, around the corner of the barn tipping toward its knees and Sam Parker’s garden paving the ripe earth all way to the Lovett house sitting white as a pepper-mint down the lane.
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