The fork in the display case glinted under the lights. It rested on a shiny black plastic podium, and impaled on its tines was what appeared to be a human finger. He was pleased with the finger and gave a grunt of satisfaction. It was his own finger, pinkie of the left hand, plaster cast thereof. Title of work: give/take/eat. Listed in the catalogue as item no. 17, price £6,000.
Tag: Short Fiction
Merry Christmas Charleston CLAWS by Leila Allison
You can touch Shax, but only by “appointment.” First you have to establish eye contact with the old tom and at the same time make a “scratchies” gesture with your index finger. If you correctly spy permission in his imperious gold eyes, then, and only then, may you apply a “scratchie” to the surprisingly short distance between his ears. Any failure to comply with this procedure will result in a personal math system based on the number nine.
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Literally Reruns – The Dreampurple Light by Leila Allison
Another of our regular contributors has chosen work to be ‘Rerun’ and it’s a beauty. L’Erin Ogle pulled The Dreampurple Light from under the floorboards and this is what she said:
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Coeur de Lion by Chris Cleary
Magnificently justified, she teeters on the parapet of her limestone tower. The herd lows below, and in the autumn air all stands still except for Tom, who has spied her from a distance and now is racing to her rescue. Her foot shifts and slips a bit, sending down a pebble cascade, but her heart is strong, and she refuses to be petrified. She stares straight ahead at the hillside, where leaves fall from their trees, drifting, dropping, like children’s valentines into makeshift paper-bag mailboxes taped to her classroom wall many years before. Cards of teddy bears with hearts, Hello Kitty with hearts, blooming flowers with hearts, circus lions proclaiming, “You’re purr-fect!” Suppressing squeals, children scurry. Others’ bags fill up. In hers, not one. Eyes anchored on the hillside, all she sees is disregard. That and the teacher frowning with pity for poor Samantha San Gabriel, so shy and so odd.
Nature And Nurture – The Devil’s Mix by Hugh Cron – Adult Content.
He looked around. It was dark but there were a few lights on the bridge. He stood in the middle and peered over the side, down into the water. The night was still and the smell of the trees and moss made him smile. The countryside always had that effect on him, this was as good a place as any.
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Talk from the Back of Tim’s Barn by Tom Sheehan
These were more than echoes, the soft sounds I was hearing from the rear of the barn sitting back from Route 182 in Franklin, Maine, half a dozen fat pigs to one side, corn as deep as Iowa on the other side, and the terrain across the road flush with blueberry bushes until a slow rise tipped the landscape in its favor… and in mine. In my son Tim’s favor, too. He lives by this barn. Perhaps I had lived waiting for its sassy voices.
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The Chocolate Room By Mark Mayes
Pineapple yoghurt. Trifle. The last few months he wanted milky things. I bought a bottle of Rémy Martin. He took a sip, made a face. ‘It’s too much now, too strong. I’m sorry,’ he said.
Sheltered by Jamie Sheffield
“… bled all over the counter, staining my hands and the floor before I could get it cleaned up,” finished the lanky, slightly dirty, anemic-looking kid ringing me out, unaware, or perhaps undaunted, by the fact that I hadn’t been listening to him.
The Grass Jesus Walked On by Elizabeth Bruce
“One dollar,” young Earl C. Calder said and looked at the farmer before him transfixed on the small the blue vial Earl held in his hand.
Earl didn’t blink in the mid-day sun, all 110 pounds of himself holding steady next to Ida. The vial of elixir they had emptied the night before still floated through him, but he didn’t flinch, not Madam Wilma T.’s son, born in a brothel and groomed for greatness.
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White Face by Shona Woods
‘I need a lift you see.’
My voice strains to be heard outside Mike’s house. There’s a hot stink of ale chasing him out the door, a cigarette resting along his ear, and a slapped cheek look about his face. He looks down from his considerable height, bolstered by the chunky doorstep. He is a statue on his plinth and I’m a beggar with a crutch.
