I walk to work under a dull gray sky. Last I heard, there was still blue sky somewhere above Alaska. My brother and his wife went there, to live off the grid. I am gridlocked, travelling the same two miles back and forth every day. Work, home, work, home.
Continue reading “A Pill to Love, A Pill to Forget, A Pill to Live Forever by L’Erin Ogle”
Rain is pounding on the cobblestones of Place Luxembourg as people cluster to the bars around the square for an after work drink. Colorful umbrellas alternate with newspapers hastily turned into makeshift headgear and the occasional “Merde!” can be heard when a passing car splashes water on a pedestrian.
It’s three feet farther to hell from New Town Bridge. The city recently installed an eighteen-inch “safety” extension to the pedestrian rail. Since it opened in 1978, at least twenty persons have jumped off the ugly gray span and found death waiting two-hundred feet below in the beckoning Philo Bay Narrows. Northern seas swiftly kill the pain; and when that comforting certainty outweighs the threat of damnation, I don’t see another foot and a half up, and down, getting in the way.
The scene is set on the top floor of an old greystone apartment in Chicago’s North Side, the windows of which look out to a black Lake Michigan. Two plates sit on a pub table. One is cleaned and on the other half a pasta portion remains. The diners have taken the wine to the couch, where they are presently reposed; John with his feet up on the coffee table, Lauren with her legs across his lap, her head on a pillow on the far side. Sinatra plays faintly from a speaker, about the same volume as the crackling fire across them. John reads and Lauren thinks. But then….
Beachum stops at the Bi Lo to get his latest prescription filled. While he’s waiting he looks for something to kill the cat, some kind of poison. He looks up and down the aisles. It appears that grocery stores do not carry poison anymore.
“Where would I find the poison?” he asks the pharmacist
“What kind of poison are you looking for?” asks the pharmacist. He acts as if the mere contemplation of such a question has given him indigestion.
“Something that will kill a cat.”
The pharmacist sighs. “There are many things that will kill a cat,” he says stapling a sheaf of instructions and disclaimers six inches thick to the bag containing Beachum’s prescription that no one, least of all old Beachum, will ever read.
“Can you recommend something?”
The pharmacist shakes his head sadly. “No,” he says.
Acton had never spent much time contemplating writer’s block. This had everything to do with the fact that he had never previously found himself its victim. Perhaps everything is too strong a word. Acton had no trouble considering the ins and outs of things and events he had no personal experience with—although these things and events necessarily carried with them some intellectual element that sparked his curiosity in the first place. Writer’s block, as an idea, had never presented such an element to command his attention, and on top of that, it seemed too cliché a notion to even deserve it. Nevertheless, the prejudice of abstraction doesn’t always hold up under the weight of actual experience, and he now found writer’s block to be a fascinating object of examination.
Acton was at his desk, unable to write.
Lelia Allison reckons she has found a cure for melancholy of huge proportions with this story. This is what she said:
Continue reading “Literally Reruns – the Fifty Dollar Sewing Machine by Mitchell Toews”
My promotional Facebook ad campaign is far from ready. An upside down, high resolution, Marlene Dietrich holding my self-published book awaits my intervention. I hesitate before choosing the rotate option or is it the flip? Marlene looks regal, confident in her fur coat. What would Marlene think of a book starting with:
She loved lemons and would squirt them on everything, their yellow rind reminding him of her sunshine. Lemons never tasted sweeter. Without her, his heart wouldn’t beat right.
The Mooney woman taught him how to do it. She was forbidden to be on the premises, but she called Alfie over one day when he was playing near the fence that bordered the lane. The call was a high fluttering whistle, dancing like a mountain stream. He had been building a den from old branches and bracken when he heard, and though he knew from whence came the sound, he was drawn there as though to a trove of sweets.
A small bird lands at the roadside, scuffing the hot dust, and she asks the tour guide what it is.
“Zebra finch,” he says. “They’re what you wanna see if you’re lost out here.”
Eilidh watches the bird dab at the earth with its orange beak.
“Must be water somewhere close,” the guide says. “They never stray far from it.”
“I wouldn’t either,” she says.
literally stories 