Her nose took the impact, it canted left and snapped perfectly at the bridge. Her mascaraed eyes watered until her vision became a myopic smudge. She staggered, tripping on the raised step between lounge and diner. (A design feature she always hated but he insisted on.) ‘It will define the individual spaces’, he’d said. Another blow staggered her. She remembered her Interior Design professor screaming ‘NEVER BREAK THE FUCKING SPACE,’ as he came in, on, or often just around her slut of a best-friend flatmate. That exalted mantra had stuck, her friendship hadn’t. Her fingers skittered along the edge of the kitchen top, too cold, too polished, nothing to cling to, to hold, to grasp. Her father’s words came to her, ‘you can’t trust stainless steel,’ he’d say, ‘unnatural stuff, use wood, wood has an inherent trust, copper an earned one, stone, who the hell uses stone nowadays?’ He always chuckled at himself when he said that. He also warned her. “Look for the comfortable, the homely, ‘hugge,’ as the Dutch say. No cold marble, no hard granite, no slippery steel and definitely no injection moulded impervious shiny plastic. An interior, my gorgeous girl, is a mirror of soul.”
Continue reading “Seeds by Peter O’Connor“Tag: Short Fiction
The Young Man Who Said He’d Never Eat Chocolate Again by Tom Sheehan
Today it all came back. Once again, on another brilliant dawning, the Western Yetness still calling me, I woke with a toothache. A stupendous one! In half an hour, despite quick brushing, the stimulator poked here and there, gargling, all proving useless, the ache remained in force. It was, without a doubt, the chocolate again, or the mere thought of chocolate. I knew I was weak to most any candy, and to chocolate in particular, right from the beginning.
Continue reading “The Young Man Who Said He’d Never Eat Chocolate Again by Tom Sheehan”Generative/ Iterative/Evaluative by J. Bradley Minnick
These are the last days and unfinished pages of a dissertation on Pragmatics and Features of Sex, 1998—Beth says—expected by her committee members in two weeks, or at-most, a month. Her defense is in three weeks, but she doesn’t think she’ll finish. She says she’d happily quit and work in a bank or in a mall selling perfume behind shiny counters—spritzing the stuff on eligible men who will buy it from her with hopes of getting laid. She says even if she quits, she will continue her work, untethered and uncriticized and make her own study of the language of love, its features through natural conversations, speech acts, implicatures, while managing the flow of reference and the theories of the mind. Then, Beth pauses. But it’s still too big, she says. It’s always too big.
Continue reading “Generative/ Iterative/Evaluative by J. Bradley Minnick “The Memoir.by Kristen A. Schmitt
When I started putting the words on the page, I didn’t know what it was. An exercise in letting go. A reflection of memories. A way to make myself understand what it was, what I had been through. I never thought of the consequences, of letting anyone else read what I had written.
Continue reading “The Memoir.by Kristen A. Schmitt”Literally Reruns – Colours by Amanda L. Wright
There are at least a dozen memorable lines in Amanda L. Wright’s Colours. The main thing that sticks with me is the lament (and I paraphrase) that if they had gone to war to protect the British way of life, then the war was lost long ago.
Continue reading “Literally Reruns – Colours by Amanda L. Wright”Week 401: A Dirty Slate; Welcome to YES-vember and What’s On Your Wonderwall?
Tableau de rasa is Latin for “a clean slate.” In philosophy it describes the unmuddled mind of infancy, which is soon spoiled by life. I was once one of those overly polite people who’d write “As you know…” or something equally cagey before sneakily defining a term that I figured maybe only half the readers already know. This of course presents an unwinnable situation for the polite person. I have always seen condescending people as jerks while patronizing types are smiling jerks. In my mind you cannot patronize without being condescending but you can condescend without being patronizing. So, if anyone out there smells either on my breath I apologize, but it might be an aid to know that I consider condescension slightly less rotten than patronization.
Continue reading “Week 401: A Dirty Slate; Welcome to YES-vember and What’s On Your Wonderwall?”The Sea by P O’Connor
The loose hall board, if you rocked heel to toe, sounded like someone drowning, that bastard son-in-law he hoped. He tried to silence him with new copper nails along its length. For a while it worked. But one evening the gasp returns, quieter now, pitched high. His weighted heel brings his wife, grasping a breath before sinking under a swirling sea. His toe raises her sea-washed face and she gasps again; help me, John, I have her.
Continue reading “The Sea by P O’Connor”Liza, Like Lizard by Joy Florentine
She’s like a storm cloud drifting my way. The thick, grey coat and bright yellow rain boots are probably a choice she made herself, because the sun’s out and I’m sweating like a pig. I don’t understand why Lenny would let her go out like that, but I don’t have kids and won’t pretend to understand what it’s like. I guess my only comparison to dressing a child is when Roger, my Rottweiler, comes running to me with his lead between his teeth because he wants to go to the park, and he’s got only that one lead. I guess I shouldn’t call a dog my kid, but all he wants is to eat, play, sleep, and shit. Roger’s the closest thing I’ll ever have to a kid—which I’m perfectly fine with.
Continue reading “Liza, Like Lizard by Joy Florentine”Under Threat of Salvation by Marco Etheridge
I’m out on the far edges when the Gelic pounces out of nowhere like they always do. She snatches my lapels with ivory clean hands, pulls her smiling face close, breath clean as death, asking me throaty-voiced did I know my very own personal saviour.
Continue reading “Under Threat of Salvation by Marco Etheridge”Literally Reruns – Perry by Dianne Willems
Dianne Willems’ Perry begins as a daydream that edges in and out of a nightmare reality, and ultimately ends with the ultimate sacrifice. It is a tragedy because life is determined to be a black comedy. Life is loaded with easily discouraged, jaded Superheroes, but very few Perrys. The piece ends the only way it could, yet you never see it coming.
Q: Do you believe that the well meaning You Are Special message, without explaining how everyone can be special, without negating the definition, drives young minds into hopelessness almost as effectively as a poor home life?
Q: I see something Christlike about the Parrot, how his martyrdom brought the flabby heroes back into shape. Do you agree?
Dianne’s responses
Q: Do you believe that the well meaning You Are Special message, without explaining how everyone can be special, without negating the definition, drives young minds into hopelessness almost as effectively as a poor home life?
Q1: I am less familiar with the ‘You Are Special’ message (I think it’s a cultural thing, here in the Netherlands there’s more of a calvinistic attitude), but I have some thoughts about the ambitious ‘aim for the stars’/’be the best’ message some people try to install in their children. However, regarding the Parrot, I think he is more about trying to gain some control over a chaotic life. And being a hero, because his family did the exact opposite of installing in him the ‘aim for the stars’ OR ‘you are special’ attitude. So he tried extra hard, regardless of cost, to be someone special.
Q: I see something Christlike about the Parrot, how his martyrdom brought the flabby heroes back into shape. Do you agree?
Q2: Having grown up in an almost completely atheist environment I haven’t nearly enough knowledge about Jesus to have drawn this parallel. However, I think the question should be, did the Parrot bring the flabby heroes back into shape? Or was that one last desperate fantasy as he lay dying?
