Tag: writing

Boredom kills. Not just in stories but in life as well. When I was young I spoke of a distant future that would be enriched by callow memories of youth. For some reason it always involved sipping Jack while sitting in a rocking chair. Even then I knew that was bullshit. You can kill, maybe, an hour a week doing such, but you are still alive and require much more than forty year old stories to continue the experience. The young tend to shelve the old, even when the young are the old.

I am prone to boredom. We all are, but some much more than others, and I am too easily bored. Throughout life I have gone from one new obsession to another and, to date, I am the only one left standing. I am bedazzled with a subject for months then one day it is over. Rock collecting, astronomy and many other fiery enjoyments fell off my imagination, as did pressing wild flowers and, yes, the three week interest I had in the accordion.

That, however, is the way of children. When we become adults it is assumed that we will develop sticktoitiveness. Music has been in and out of my life for years, which makes it the Methuselah of my interests. I was keen for it from fifteen to forty then stopped listening, save for the jukebox in bars, for about ten years. It has come back only because I have given up on new music and I do not care what others think about that.

Writing has a strange place with me. It is immune to boredom but it has never been an obsession except when doing it. That is the difference, mainly the other stuff was heightened by my imagination of it, while writing has never had to pass the test. It is just there, something I can do (good and bad). But I didn’t take it seriously for a long time. John Boy Walton is to blame for that. On The Waltons it was clearly made that you must go to college to be a writer the same way you go to dental school to be a rapist, I mean dentist. It wasn’t until later that I finally learned that most people attend college to get drunk and have sex. John Boy lied.

Dorothy Parker stopped her schooling at age fourteen, probably the same for Shakespeare, and Capote didn’t finish high school. In fact the more I read the more I understood that writers are often smarter about life than are college students. You do not need to pay tuition to get drunk and have sex.

This was an eye opener.

To combat boredom I read at least three books at the same time (no, wiseass, not literally). I also have all kinds of stories and articles and even books of my own going at once. I counted and there’s over forty of them, but I only work on three at a time. I would have to not open anything new and write well into my hundreds to finish the stuff I have going now. That does not bother me. I still open new stuff. Changing constantly is useful against boredom. And so is humour, not the silly TV stuff, but actual almost organic humour that is found in the crash and thud of being.

Drugs and alcohol are never boring but it’s a shame they turn on you, how they wear out their welcome, but they are not wholly bad. I have always said “forget moderation.” That’s the same as telling your spouse that you are willing to love her/him to a responsible degree but no further. If I loved someone I would want it to be reckless and mad. Nilla wafer love affairs, I imagine, are boring. Yet they lead to fewer restraining orders.

Winning the battle against boredom is why writers tend to live long lives, nowadays, at any rate. Also, effective treatment against tuberculosis and syphilis has raised the mean death age for writers as well. Moreover, writers seldom drink themselves to death today, the way O. Henry did (who was found as good as dead in a hotel room with nine empty jugs of whisky under the bed). Oh, we drink just as much as ever, but evolution has toughened up our livers. Call me a bigot, but I do not think that a person can truly write about the darkness in the human race (Ann Frank the exception) without having had some experience in alcohol, ongoing or in the past. There’s a special feeling that comes from waking in bed with someone whose name you do not remember. That sort of thing opens a lot of mental doors.

Suicide, though spoke of often is not as rife among writers. It has been a long time since Plath, Woolf, Hemingway and John Kennedy Toole voluntarily checked out. Musicians, so it seems, have taken over that department. Mental illness and boredom make a lethal mixture. You cannot do much about the first but the second can be alleviated if you are willing to use whatever mental illness and/or addiction you have as a positive resource to learn from; do not hide it as a dark shame that you have let people tell you how to think about. But this comes with a risk, people have their own problems, yours had better be interesting.

I think that there is an extra allegory to be found in Hawthorne’s nearly two hundred year old story Young Goodman Brown. For those of you who have forgotten it, Goodman went into the forest surrounding Salem around the time of the witch trials and discovered that every last Puritan in the village, himself included, was at best a basic hypocrite while most were evil hypocrites. The allegory extends to writing; you go into the woods full of writers thinking some to be superhuman geniuses and come out with the hideous realization that they, like you, were/are insane slobs with dark secrets. The job is to realize we are all insane slobs and accept it. I, for one, am rather comforted when I read about the “shortcomings” of famous writers. Twain (another non-college goer) had a terrible temper, Capote, when drunk, was a vicious little bastard, Dickens had family troubles and I would not be surprised if it were discovered that Shakespeare was not a fella to trust alone with your wife (nor the wife with Will). It is just fine by me that all are human, it gives our temporary moments of godliness increased esteem in my eyes.

Hmmm, again this part appears that it will end like smashing into a tree with Ethan Fromme at the wheel. Even a fancy literary comment fails to make the sudden segue from the opening topic to the wonderful Week That Was smoother. Alas, we carry our crosses uphill and the best you can hope for is an ending similar to the one the repentant thief got from Jesus. Barabbas? Or maybe that was just a movie. Hmmm, even a biblical anecdote fails to decrease the jolt. Oh well. So brushing this mishmash of pseudo philosophical musings aside, it is now time to re-visit the six wonderful performers of this Week That Was. They are far from dull.

Dale Barrigar Williams appeared on the second Sunday of the month, as is his habit. He knows about drugs and booze (enough to quit them) and is extremely well educated, but he hasn’t let any of that get in the way of his humanity. This month in his Eliot Behind the Mask, Dale once again merges his humanity with his PhD and presents TS Eliot as a real person and not a mummified great of the past. This is a perfect example of going out into the woods with great writers and seeing one toss a smoke bomb!

Monday delivered Man With a Shopping Cart by Tom Bentley-Fisher. Poor William has an obsession with shopping carts. But soon enough they fill with hard, even brutal memories. The metaphor should be obvious but Tom enriches the tale with images both wonderful and frightening. You can’t fit this one into a box.

Tuesday brought a second story that fled expectations that built within it. The First Thing She Notice Disappear Was a Kangaroo by Michael Degnan leaves a great many questions for the reader to consider. Michael also presents a well written, believable POV for the seven-year-old MC.

Wednesday’s Tilda the Ice Maiden and her life in the tundra 1785 bce by Linclon Hayes, opens with a rare, once in a lifetime sentence; the sort of sentence all writers crave to create. And the lives up to its opening; it hooks you into a world of surprises, as you might deduce from looking at the title.

There is a fantastic moment in A Eulogy For Us by Darleine Abellard, that catches you off guard and lifts this much higher than other funeral tales. The entire work is top rate, but the summation of grief towards the end raises this one to a new level of excellence.

We closed the week with Everybody Prefers Iceberg Lettuce by Genevieve Goggin. You know an author has done well when she reminds you, in spirit, of another writer. Here I got Anita Loos in mind, who created hectic and entertaining Lorelei Lee (played by Marilyn Monroe in a film that had to water down some of the wilder stuff in Loos’ prose). A century lies between the two writers but this one has the same special elan.

Congratulations to the Ladies and Gentlemen of the week. They kept our minds active and carried us pleasantly into the future.

Yes, I Close With Yet Another List

Sometimes I wonder how it all began. When did I figure that list making was for me? I think the David Letterman Show reinforced my list making in the 80’s, but I was already doing such before I first saw his nightly Top Ten. I do not recall making lists as a child, but ever since I was around twenty I’ve been writing them. Could be I was abducted by aliens way back when and instilled with a desire to make lists for reasons as unexplainable as the “Sacred Mysteries” of the Christian church. Who’s to say?

Regardless of the inspiration, today’s list is dedicated to short story writers of yore who often produced works well worth remembering. This list has been up before, but it contained other items. Some are still famous, some are unfairly buried by time. As always, please add your own suggestion.

• A Pair of Silk Stockings-Kate Chopin
• The Tell Tale Heart-Edgar Allen Poe
• Victoria-Ogden Nash
• The Egg-Sherwood Anderson
• Harrison Burgeron-Kurt Vonnegut Jr.
• Jefty Turns Five-Harlan Ellison
• A White Heron-Sarah Orne Jewett
• The Killers-Ernest Hemingway
• An Occurrence at Owl Creek Bridge-Ambrose Bierce
• Leaving the Yellow House-Saul Bellow

Leila

This week a bluesy song from (incredibly) forty year ago