His wife Millicent had cheated on him and she would pay, but to Everett Harley it was much deeper than being unfaithful; she had constantly touched, with ridicule, what she thought was the most fragile element of his being, poetry; so, he made up his mind that he’d not allow her any pardon for her perils; no rhythm in leniency, no white space in the matter, no alliteration at all, at all.
Continue reading “Hence the Half-way House and the Poet by Tom Sheehan”

