Everyone knew Gadu told lies. But no matter. He was an artist, and while nobody believed he’d run a cocaine factory in the Bolivian rain forest whilst living with an uncontacted tribe or been chief stone mason during the reconstruction of Mostar’s Stari Most, his stories were hilarious.
Continue reading “The Lives of Gadu Tom Phillips”
The seed was sown when Riley joined the amateur dramatics group. He had played a couple of minor roles, first in a Sheridan play then in a Dickens, when the email arrived from the am-dram group’s administrator. It was forwarded from a film company needing extras for a few days filming in the local market town. He arrived at the crew’s temporary encampment in the central car park and was told he would be playing a policeman. He hadn’t worn a uniform since he’d been a scout and was surprised by the feeling of empowerment it gave him. The helmet, the collapsible truncheon, the mock pepper spray, it was a new dawn, he felt marvellous, confident. He was somebody, he was a policeman.
literally stories 