A laptop illuminates the otherwise darkened room. On the screen is a website that she is all too familiar with, the one that has been taunting her for months. A new photo has been uploaded within the past couple of hours. She pulls out a chair but chooses not to sit – the surfaces are damp and the whole apartment smells of bleach and lemon.
The website is seemingly old fashioned by design. Page backgrounds are dark with a watermark logo. Fonts are bright and dated. Items jerk around the page whenever a window is resized or moved. An animated under construction image rotates and hovers in view at all times.
The homepage shows fourteen captionless photographs. The image quality is poor and they appear to be scanned copies of original prints. Each image shows a minor celebrity in a state of undress, always draped across an object or a piece of furniture. The pictures are unflattering and raw. The first image shows a reality star splayed across a four poster bed. The next is an ex-soap star lying face down into a giant beanbag. A television presenter slumps backwards over a pile of cardboard boxes.
And so on.

We meet every morning in the coffee shop next door to the hotel. There’s Zia, with his three shots of espresso and who knows how many packets of sugar. Ali takes his coffee with plenty of cream. Aqmed orders one of those fancy drinks with an Italian name I wouldn’t dare try to pronounce. Every day something different. “What is it today?” Zia always asks Aqmed, as if there’s something a bit too girlish about Aqmed, a man who doesn’t drink his coffee black and strong. Then, of course, there is me. Omar. I am a tea man.
She sat in the chair waiting. Let it come, she thought. I am prepared for every eventuality, and when it comes I will not be surprised. Nonetheless, she was tense, apprehensive, alert, and when the doorbell rang her blood froze. Now, she would say. Here it comes. She tried to hide, inside the room, inside herself, but still she heard the sound of the doorbell like someone screaming in her ear. She tried to make herself smaller and smaller and sometimes even fled to the farthest corner of the room. The farther away she was the less she felt the threat. Sometimes she turned her face to the wall and began to count, ring by ring, and if the ringing did not stop began to mumble words of entreaty or supplication.

He was a tall sheepish gentleman in his late fifties. His eyes were gentle, his chin was weak, his shoulders were starting to stoop. His legs were thin and wobbly, his hair was thinning and gray. And he walked with the hesitant stride of a crane, his head bobbing forward with every step. Watching him amble along the street, one would never guess him to be an artist. A servant, perhaps, a beggar more likely, but not an artist: a soul unencumbered by earthly snares and committed to only the Muse. But an artist he was, and no mere artist at that. He was an artist in the most gallant of mediums: the daring realm of street performance.