The sheet snaps crisply in the wind, perfectly white, a blank canvas hanging on a line. A woman, neither young nor particularly old, bends over a large, wicker basket. Her hands are large and red, prematurely knotted from the harsh, unceasing wind. She is a good-sized woman. An old floral print dress clings to generous haunches as she efficiently plucks each item from the line and places it in the basket. She is one of an unbroken line of generations past, hardened and forged by life on the plains.Continue reading “Dust to Dust by A. Elizabeth Herting”
Oil running amber along a thin white line. In another time, in a different kind of world it would have its own strange grace. But here the amber turns to a sickly yellow green that rubs out the world.
It was unseasonably damp in The Skirrid Inn on the night of 17th June, 1724. A tremendous storm had struck during the day, clearing the early summer humidity and setting the scene for a dramatic couple of days in the small town of Knaresborough.
Something shakes me from sleep, a rhythmic clanging, harsher than the church bell. And closer too.
I sit up. The walls flicker in the dim light of the hearth fire. Across the room, Father’s side of the bed is empty, but Mother’s is not. She can sleep through anything.
Potosí, Charcas, New Spain
They call it Silver Mountain, but it has only brought misery to my people.
My head hurts. Kneeling, I plunge both arms into the pool of gray sludge, feeling for another lump of stone. My fingers close around a rock and I haul it out. A piece the size of an infant’s head. I know from overhearing the Spanish azoguero that after the bonding process with mercury, the silver in this rock is worth a small crate of porcelain. But I don’t know what porcelain is, except that it is some kind of platterware.