There’s a right clattering in the yard. Hold my breath and stand stock still. Then I turn round, put my eye to a crack in the door and I see a black van. One of them with sliding doors. And there’s that gold lettering. Swinford’s Tea and Coffee: Pure and Robust. My mouth’s sticky with thirst. Haven’t even thought of a drink of water, let alone tea. And there’s some bloke in a grey coat clambering out of it. Same colour as them clouds. Could be camouflage on a day like this. He’s a a tall bloke. One of them that stoops his neck when he walks. Takes his cap off. Looks like he’s lost. He has shiny, rusty coloured hair. Brylcreemed. Wipes his nose with back of his hand. I step out the door.
He sat on his usual bench at the top of the hill, a wooden seat framed by wrought iron, perfectly positioned under the spreading shade of an oak tree. From this vantage point, the extensive park rolled away in green waves, stretching toward the river winding lazily through a neighbourhood of opulent estates. Grand homes, hidden behind walls of clipped hedges, exuded an air of quiet affluence, while two nearby mansions stood conspicuously empty, their owners absent for years. He often marvelled at the indulgence of leaving such places untouched—silent monuments to wealth and those who had far more of it than they needed.
Like all great story-telling, John Lee Hooker’s “House Rent Boogie” can make you feel much better about yourself, if you’re willing to meet Hooker half way. In a country filled more and more with what Noam Chomsky calls the “precariat,” or economically disadvantaged folks who live paycheck to paycheck, dwelling to dwelling, meal to meal, buzz to buzz, never knowing, as Henry Miller put it, when the chair will be yanked out from under their rear ends, and they will be tossed out into the street again, Hooker’s “House Rent Boogie,” also known as “House Rent Blues,” can offer solace and encouragement to many of us. This kind of story-telling shows what story-telling is really for, which is helping the human species to make its way in this world while we struggle to survive our allotment of days here on the rapidly warming earth.
It took James Joyce seven years to write Ulysses. As a teen it took me almost as long to read it. The stream of consciousness, which marked the passing of 16 June 1904 in Dublin, second by second, thought by thought, was way too confusing for someone at age fifteen, especially the “Circe” section that goes on a hundred-fifty pages. But that is how it goes with classics written by adults for adults (a point I’ve ranted on before). A person needs a few years as a grown up in her soul before something like Hawthorne’s The Scarlet Letter can connect to her. Same goes for everything written by Joyce (except a couple from Dubliners–Araby and TheDead can be understood by High Schoolers, I think–at least I “got” them).
I successfully read Ulysses when I stopped demanding it to make linear sense. I let it happen tome. I concentrated on simply reading the words and gave my subconscious the task of sorting it out. Not once did I ask myself stupid questions like “What the hell is happening now?” and went with the flow.
That worked very well. I began to get into the swing of the thing about four chapters in and made it through to the other side. I read that you need to know Irish history to understand the book deeply. Still, I say all you really need to know about Irish history is that before independence (and for a long time thereafter) shit, especially royal and government shit, rolled downhill. Nowadays, however, Ireland is a comparatively uphill, wealthy nation, which means that most of the undesirable blood (such as my father’s side of the family) was safely siphoned to America a long time ago.
This week I shall experiment with Stream of Consciousness, like Joyce in Ulysses, but omitting disgusting items as I wish Joyce would have done with Mr. Bloom, he of the jakes and secret pocket. It was amazing that Joyce was able to put together a narrative from thoughts as wildly scrambled as Burroughs’ Junky.
The Experiment begins:
Tis Aphid season. Three, four attracted by the screen. Keylimegreen. Bugapalooza.
–Arpfmagarpth? Whuzzat. Oh. Hairball. Izzy on the dot. Split. Cats never step in human puke. Selling Buicks at Ralph motors. High scoo. Igglesniff on your nose. Too much Black Velvet. Bring your own spins.
–I ralphed a beeyouick on the rug. Izzy. Speaking. Talking Cat with no hat. Get cleaning it washermygosherwoman.
–You and the Catnip you rode in on.
–Are those your shoes, gibbergimlet?
–All right all right. Two for the price of one, how the west was won. Eyeyiyi of cyclops voice of Joe pazuzukudzu. Stunkofaskunk bee bop bloom a lulu.
The Experiment Ends
Strange things happen when you let your jabbering mind off the leash. Ulysses is hard to read, but like Chaucer and Shakespeare it gets easier as you go. Then you find yourself doing the same, doing the dame. Words scrump up from below, nonsense rhymes squeeze the flow. Flibbergimletjibbeetly we all a go go.
Great, now my mind has gone all Dr. Seuss in Auld Ireland on me. Gotta rate the Catholics Kings and Whoremongers on the quay…coppers singing Galway Bay, bay-a-bee….
What? Oh knock it off, quit leaking fey words into my fingers you goddam whichever lobe that shit is kept. Stop stop stop, he bop, she bop….Bloom bops alone…
Enough! Look what I have done to myself. Beware stream of consciousness. You might drown in it, like She Woolf, with stones in your knickers…
Let’s escape through The Week That Was portal!
The Week of Gems
This was a peculiar week for us because it featured six writers who have appeared with us before. Some several times. Usually there’s one new kid to introduce, but not this time.
And I say six because Our Harbour by site friend and frequent commenter, Paul Kimm, was afeatured rerun this past Sunday. It rates a special mention. For anyone who has still managed to miss it, I encourage you to take a look.
The work week began with Meetings and Partings by Nidhi Srivasta Asthana. Nidhi needs to be congratulated on her professionalism during a long editing process as well as the insightful result of the work itself. It is a revelation involving Indian culture and the ancient practice of arranged marriage.
Christopher Ananias has been on a roll ever since his site debut last year. In the Flames is his latest look into the heart of darkness that beats inside the world. Great evil has always been commonplace (look up Richard Speck or the Triangle shirt fire). But nowadays there’s a relatively new dynamic behind it, something that went up the tower with Charles Whitman long ago. Christopher manages to effectively describe the madness with admirable objectivity.
Wednesday saw the welcomed return of J. Bradley Minnick. The Day the End of the World Was at Hand. It too speaks of madness, the organized one called war. I remember the Vietnam era. I was a child and it all seemed unreal to me, like a TV show, until someone we knew lost a son. The darkness will look for us all, and it is up to us to feel it if we are to grow. Brad shows this sort of thing with great polish and sincerity.
Digital to Analog Conversion marked another welcomed return, this time by Bud Pharo. There is way too much AI in the universe. A strange case of a glut of something that only exists in a half-assed sort of way (I hope “Annie” is not related to the feeble minded Google Assistant). But this one had enough charm to get over, which is a credit to Bud.
Simon Nadel closed the week with Crime Wave. There’s a silkiness to this otherwise hard-bitten narrative. Like Chandler and the underrated Spillane, the cynicism and booze flow in an eloquent manner.
Kudos to all our repeat offenders–I mean contributors. People without the determination to do something good, although difficult, never get across. The writers who appear, and those who keep trying to appear, deserve credit for having that aspect in their characters.
More Stream of Consciousness
Recently I was bored (aka “at work”) and I began to consider what are the greatest scenes I remember from film. I decided that the Stream of Consciousness Approach could work here. Instead of actively seeking examples, I let them come to me. Below are the ten film scenes I came up with. (Readers sharing, as always, is strongly desired.)
“Wedding party”– The Deer Hunter
“Butch finds a sword”– Pulp Fiction
“The final close up of Greta Garbo”– Queen Christina
“Monster bursting through poor John Hurt”–Alien
“All American Henry Fonda massacring a family”–Once Upon a Time in the West
“I’m only thirteen”–Animal House
“I’ll be back” TheTerminator
“Dorothy awakening in Technicolor”–Wizard of Oz
“What I wish really had happened to Tex and the gang”–Once Upon a Time in Hollywood
“Chief putting Randall out of his misery”–One Flew Over the Cuckoo’s Nest
The seagull cocked his head and purred. He dropped his beak into the sand but didn’t seem to find anything worthwhile. He put his head back and squawked loudly at me.
“Sorry buddy,” I said. “I don’t have anything for you.” It was the same way I used to talk to Jeter.
Annie never imagined she could have feelings for anyone—she wasn’t built that way, literally. As a first-generation Alpha-Lima model designed for general off-world service, she wasn’t capable of having independent aspirations, much less emotions.
“I’ve signed you up for swimming lessons at the Y.M.C.A. Lessons start Monday. That’s tomorrow,” Mother said as I stood on pretty pink petals that lined the ground of our backyard jungle. A late spring snow had just left the rooftop of our home. The gutters were filled with brown, wet leaves. Father stood high atop a wooden ladder. Looking up, I saw his blue jeans and the dirty soles of his shoes. Mother stood under him, holding the bottom rungs. She wore a small bee-hive hairdo, a plaid shirt, and black slacks. Every so often a clump of leaves exploded in a burst behind me.
They rush us up the hill to safety like a herd of Caribou moving past the basketball courts. Sirens whoop in all directions. Black smoke pours out the windows—oxygen is key—she is really going now. Gilbert smiles. Gilbert is deranged. His brother killed eight people at the Lilly Street Mall.
Madhu flatly refused to meet Shyam after having met Deepika Aunty. Imagine having her turn into Mummy! She could not bear the thought. How can a gut reaction be put into words and explained? Even Madhu’s parents couldn’t understand why she had refused to meet him. Since they couldn’t connect with her decision, they were deeply disappointed.
Sometimes it’s not just about dramatic happenings, but simply about how you think.
literally stories 