Why and how and what do we write? This question could (and probably should) be reordered and its verb could equally be changed to paint, sculpt, act, dance … Human beings do these strange things to make their mark, a little stand against the indifferent and inexorable passage of time, and have been doing so, it seems, ever since they could, as has been revealed in distant caves: stencilled hands in Argentina and pictures of pig hunting in Sulawesi. This brings to mind for some reason a discreet headline I spotted years ago in a once reputable newspaper: ‘Carvings twice as old as thought.’ Were they being done instinctively, or was the sub-editor mischievous or sloppy? But the original question was about writing. Does graffiti count? Seen by some as an ugly nuisance, by others as valid self-expression, it can be inane – Kilroy woz ere – or emotionally significant to the inscriber – Jack cartoon heart with an arrow through it Jill – and innocent enough as it competes with similar 2,000-year-old declarations on ancient monuments; the lovers are marking a moment in their own story (or stories if the imagined one takes a new direction). Maybe all writing is about story: the shopping list a snapshot of my diet and tastes at one time; the letter a revelation (or concealment) of how I feel about what’s going on in my life and in the wider world; even the essay exposes thoughts or beliefs that may change the next day. Or maybe it’s even more fundamental than that: the power and promise of the word, the uttering of a certain form of words in the incantations of religion and magic, the straining of a word in select company towards the ineffable. In the beginning was the Word.
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