The remarkable thing about catalogues is that Annie could lose herself in the glossy possibilities of the pages. She could pretend that her body, swollen by the side-effects of the steroid treatments, once again could wear the same styles that the impeccably tailored models did. And that she had someplace to wear them. The brunette in the cardinal-red cashmere-blend twin-set with three-quarter sleeves didn’t judge. She had a half-smile that welcomed anyone, even Annie, to copy her look. The paisley scarf is available on page 27 where inset photos show just how to wrap it in three simple steps. The classic black pointed toe pumps are on page 56.
The shoes!
The shoes cover six pages of this catalogue. Capped-toe patent kitten heels. Gun-metal grey suede platforms. Croc embossed Chianti chunky heels. Chocolate Napa leather riding boots.
Slowly turning the pages, Annie aches for the time, less than a year ago, when her bedroom closet was full of shoes. With each acquisition she had taken and taped a shoe-portrait – one shoe forward, one in profile – to the front of each box before arranging them by style, color, and heel height on the shelves built-in for this very purpose. Every morning she would dress from the bottom up. Like picking up a menu at a favorite breakfast café – not because you didn’t know every omelet choice, but because you need to see which matched your mood – she’d stand in her big closet to see which shoes matched her mood. The serious stilettos or the funky faux-pony platforms for a new client meeting? So much of the day depended on that one choice.
Not that she had much choice these days. Baggy gray sweats cut off at the knees and her father’s t-shirts accommodated her drug bloated body. With her custom molded white plastic leg braces buckled over knee-high white compression socks, she could only wear sneakers with removable insoles. She had to go up two sizes to fit the shoes over the bulk of the braces. Even with the braces, she couldn’t stand without her four-wheeled-walker. She imagined her compression socks were the same kinds of socks the soccer or softball girls wore. Maybe, with a quick glance through squinted eyes, they’d look like 1970’s white Go-Go boots. She imagined her walker wheels sounded like Hot Wheels zipping around a track as she pushed it around the bare tile floor of her now empty townhouse. Tripping hazards indefinitely stored away.
But no matter how many hours she spent visualizing her legs, remembering calves sculpted by cycling, and thighs built by running, the thick, dull, echoing clunk of each step brought her back to the reality of the illness that ambushed her.
Her care-giver gone for the night, Annie clunk-clumps her walker to the front closet where her shoes have been exiled with her clothes. She browses the shoe gallery remembering the last time they were out. The espresso peep toes? Tapping impatiently under her desk during a Skype budget meeting. The bronze gladiator sandals with straps that wrapped around her ankles? Sunday Brunch with her girlfriends comparing reasons for putting off marriage and children. The red retro spectator pumps? Going toe-to-toe with the Senior Partner to get assigned to the firm’s largest account. She picks up one box. Opens it. Holds one shoe. What is it about this pair? These oxblood Mary Janes? The three inch heels demand attention. The fierce color sniffing out fear like a hound in a room of wingtips.
She feels unworthy, a fraud really. For although Annie knew herself to be shackled, tied to the tedious routine of buckling braces, pushing her wheeled walker, confined to her townhouse, she knew herself to be mighty. A stout hearted voice muffled by echoing thumps and clumps.
Banner Image: Pixabay.com
Loved the pacing, the speed of the crawl, the hustle of the mind. Special, very special.
Tom Sheehan
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A fine example of how tidy, economical prose, which needs not to explain itself, can cast both light and shadow within a small space. The central fixation expands and both passion and lament and all which lies between become evident and morphs into subtle side trains of thought. Oh, all right, damn it, i’ll say it, even though this means St. Peter will direct me to a much warmer clime: I’m not Aversa to reading more of this writer. See all you pun-challenged “downstairs,” by and by.
Leila Allison
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Well that got that out of the way!!!
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Yes. I decided to take the hit so others may survive. It’s my way of giving back.
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Very nice. Excellent job of using thoughts, feelings — and shoes! — to get inside the character.
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Shoes can’t break your heart, right Annie?
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I want to know more about Annie. Loved the imaging, felt her sadness, but then, she realized she is still strong, just in a different way. Shoes as a metaphor for life !
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What a wonderful short journey into Annie’s life. Her past, present and her future were all illuminated. Loved the visual and auditory imagery that drove the heart of the piece – – left me feeling very hopeful for Annie.
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Hi Donna,
You never wasted a word.
The other comments regarding the images that you put across, I can only agree with. To fill a readers head with more than the story that you have written is a serious talent!
All the very best.
Hugh
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I’m loving this piece! As a shoe lover as well as appreciating catalogs, I totally related to your character. Your writing took me into her world, her space, and her head (filled with wistful memories). Good job on showing/not telling us while pulling at our heartstrings. Can we see more about this character? Susan Storyteller
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Thanks for the feedback everyone!
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