A murder of crows squawked to each other from various treetops on the secluded mountain. Below, a tasty feast awaited them once the other woodland creatures had their fill; the killer hadn’t so much as thought about burying the two bodies.
Continue reading “Dying to Hike by Caleb James K.”
It was a very steep slope. Even the hunters felt unsure of their steps. The thick creepers and grasses made every tread a threat since there was no way of knowing what the escapees were disturbing on the untrodden path. The deerstalkers amongst them could have been expected to feel less unsettled, but it felt strange for them to be carrying babies or half-carrying the elderly. Noi insisted on clinging to Sai. In the Asia of so long ago, much before any contact with Westerners or Christianity, ‘till death do us part’ was her own inborn resolve. Sai had no choice.
Continue reading “In the Right Spirit? by Nidhi Srivastava Asthana”
Prelude
There are three music Spirits. First you have the Tintintinabulator. Tins were classically trained pianists in life who haunt specific keyboards (pianos, organs, harpsichords, etc.) in death. Tins are generally friendly, but being artists they are hypersensitive to criticism and require reassurance full time. Next we have the Chimespeak. Best described as self-taught travelling minstrels/buskers in life, Chimes are nomadic Spirits who wander from here to there and affect anything from the grandest church bells on down to kazoos fashioned from handkerchiefs and combs. Tastes aside, these two Spirits classes are equally talented even though the Tins tend to look down on the “prolish” Chimes, who in turn wonder how a Tin can look down on anything with “its” head so firmly tucked up its own buttocks.
Continue reading “The Cormorant and the Misophonyx: A Feeble Fable of the Fantasmagorical by Leila Allison”
A gecko named Keeler escaped her enclosure about twenty minutes after Renfield had brought her home from the pet shop. Keeler didn’t care for the transparency of her new digs and decided that her happiness lay in a blended existence with the walls, furniture and such in the haunted Stoker-Belle household. You see, Keeler didn’t think of herself as a gecko; she self identified as a Karma Chameleon.
Continue reading “The Karma Chameleon and the Diplomaniac: A Feeble Fable of the Fantasmagorical (Season Two Opener) by Leila Allison”
A Feeble Fable of the Fantasmagorical by Miss Renfield Stoker-Belle, Noted Supernaturalist Featuring an Appearance by Judge Jasper P. Montague, Quillemender And a Futile Forward by Leila Allison
Futile Foreword
It’s a fallow and disconsolate world in which we live. Even here at this side of reality populated mainly by Pen Names, Imaginary Friends and Fictional Characters, you’ll find more Juggalos per square inch than persons with sustainable IQs contributing to the gene pool. The pain of it all becomes clear on the day you look in the mirror and correctly suspect that the best years have gone by. You gaze into the reflection of your suddenly cautious, peering avatar and wonder what happened to the footloose, laughing face who had been looking back at you every day up through yesterday. It seems impossible that this paradoxically “new” used you has ever had an interesting thought in her life; or that she had even at one time tolerated the Juggalos–as long as they stayed upwind of her location. Continue reading “Zippy and the Zephyrling:”
A Learned Introduction
Spirits can’t lie. Still, as it goes in both life and the afterlife, honesty does not mean accuracy. That’s the trouble with telling the truth. In the living world, a great deal of truth telling is dedicated to giving air to erroneous beliefs, mindlessly echoing hidden agendas and giving credence to hallucinations in general. The same holds true at the Otherside. For instance, if you tell a Spirit that the Earth is flat, she might believe otherwise and will tell you so. In this regard, a Spirit is even more stubborn than a mortal when it comes to shedding ignorance. The dumb shit they believe in stays believed in, no matter how much compelling evidence you may present to the contrary.
literally stories 