“You’re a kid,” he says, and his voice is so absolute that it leaves no room for argument.
Meesha isn’t sure she’d be able to argue even if he sounded uncertain. Her eyes are blank, her lips locked in that little downward position that everyone claims neutral (that everyone knows is actually a faint frown), and as she stands in front of this leathery heap of a man, she can’t bring herself to care that she’s been caught.
Continue reading “Room For the Dead, Room For the Damned by Ella Paul”
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