Alyssa Doorumple was delicious.
To see her enlightening any sort of space or form of clothing was to experience a deep sense of want. To touch her, to smell her, to connect with Alyssa in any way she would allow. Perfection in the female form. Ally-do, as known in Manhattan social circles, was simply scrumptious and the light that was always surrounded by frantic moths. Ally-do was the one you wanted to be photographed with and the name that was on most lips at any social function. AD to her closest friends and fans. If AD was making a party then that was a party to be at. AD was on the cover of all the society magazines because that’s what sells magazines. Magic. Beauty. Mystery.
I’m sitting in my Manhattan psychiatrist’s office feeling so anxious and depressed that my limbs aren’t sure whether they should twitch spasmodically or rest heavy and stone-like inert. But the shrink, let’s call him Dr. Becks (in real life his surname is actually just a different brand of beer), has my fickle attention suddenly. Why? Because instead of talking about how to cure me of my various mental illnesses (the impossible dream) he’s talking about an idea he has to make my all but moribund fantasies of big-time Hollywood success come true. He thinks this screenplay idea that he thought up, based on some show he saw on the History Channel, would make a perfect project to attract the attention of one of his celebrity actor patients – let’s call her Kali Kass (in real life her first name is just that of a different Hindu goddess). And who better to write the initial spec screenplay treatment (i.e., unpaid long synopsis) than me, Evan Breach (pseudonym), the man who has written and directed micro-budget films that have been reviled around the world at tiny film festivals (and even the occasional big one, where at the coyote-like reviewers were waiting to rip him apart with mere words, their fangs dripping auteurial blood).
literally stories 