Every fifteen meters the light from a lamppost shines. The rivers running through the town reflect their lights. The water often flows smoothly. An occasional wave might pass by, but I barely notice it. If it wasn’t for the rainfall I wouldn’t believe I live in a coastal city. Five or six small boats are anchored by a one-way street on my side. No anchoring on the other side. The river is narrow enough to see across which causes most people to shut their drapes. Shadows move to and fro. There’s a couple on the second floor who are particularly animated. They dance, I think, or perform sketches. I sit by the window at my computer and try different songs to match their rhythm. I’ve tried to listen by opening the window, but I can’t hear a thing other than the city noises. Not that I live in a busy part of town, just a forgotten side-street between two busy river crossings. There is always a car somewhere, a loud conversation around the corner, a bottle being broken or something that breaks the attention. The cities are growing even more crowded. Oddly enough I read that the cities are not growing louder. Hundreds of years ago the city was smaller but louder. The blacksmith would bang his hammer on the anvil. The hooves of a horse echoed in the streets. There were no phones or microphones. You shouted to be heard. Maybe that part hasn’t change. Maybe we still shout. To be heard is to be seen and we all want to be seen. I wonder how Victoria sees it. She must know about me and Patrick.
Continue reading “Dancing in Amsterdam by Tobias Haglund”