The same place: Hampstead Heath. A misty London morning, the rising sun at times peeking through the pea-souper; joggers, dog walkers, city slickers taking a short cut, coffees in hand, trailed by confused people with no inclination to be doing anything, but stumbling around like zombies searching for a familiar face. Me: Canon in hand, covert, waiting for that magic pic to arrive – I’m poised.
And there she is seated on the usual bench: long, tatty overcoat, two polythene bags of rags, muttering to herself, feeding the crows – a battered teddy with an ear missing by her side. Young, but old, long grey hair, sunglasses, she smokes a cigar, whilst from time to time drawing a circle with a nicotine finger in the air and eerily wailing: ‘Eddd..,ward!’
‘You can sit if you want,’ she says, then reminds me that the bench is hers and she goes by the name of Martha. A west country accent she sounds like a pirate. ‘That black box thing,’ she says briefly, turning to reveal a gappy, set of decaying yellow teeth.
‘The camera,’ I reply dumbly.
‘Paint me picture!’ she cackles, raising her hand as if waving a cutlass and going to slice my gizzard.
Bingo: springing to my feet, I have Martha in my sights: seated in a regal pose. For good measure a jogger passes – blurred motion mode I think, changing the setting as I click away like a soulless paparazzi-nasty. Time passes. Blinded by composition, unconscious of my surroundings, as if spinning into nothingness; shape and form wobble like a jelly before a hungry child.
And then I’m back: seated, fulfilled; creativity and adrenaline flushing warm through my veins. I sigh like a satisfied addict, but I’m totally alone. To my left – an empty space, just a whiff of cigar smoke and the squawking crows for company. There’s only a glimpse of before and after. Greedily, I flick to screen mode, clicking pictures, willing the image to come alive.
The same place: Hampstead Heath. A misty London morning. No Martha, no jogger in the background. An impish man in a three-cornered hat, ruffled white shirt, black knee length coat with breeches, stockings and buckled, pointed shoes, poses for the camera. Sitting proudly upright, he holds out a parchment in front of him.
Tell Martha I love her truly. Yours forever, Edward.
The world before me shifts to the right, re-centres, re-focuses, re-winds, freezes, shudders, then comes back again.
The fog lifts and a dog barks – another picture fades.
Image – A ghost bench set against autumn leaves by S J Butler


Very good. Apparitions do tend to live in a world of their own, that’s why most people don’t believe in ghosts. My imaginary friends never listen to me.
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A really lovely little slice of fantasy and haunting and who doesn’t love a bit of haunting. Really well done and lots to like in such a short word count. thank you – dd
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SJ
This one catches the reader by happy surprise. Swift moving and whimsical!
Leila
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Ha! Didn’t see that one coming. Nice work.
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Hi SJ,
The quality of the writing is excellent and the story is a crowd-pleaser.
This will cause many a smile on the readers face.
All the very best.
Hugh
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A time-travel / ghost / love story that’s moving. and atmospheric. The way the photograph itself becomes the medium for Edward’s message across time is an evocative idea. The closing is gentle and haunting.
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I love a little ghost story like this! Nicely put together and with just the right touch of poignancy. Very good.
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