General Fiction, Short Fiction

When the Railroad Comes by Leila Allison

1985

There comes a moment when God stops everything and shines the Big Light on you. You’re presented with a problem that has no solution, and doing nothing isn’t possible. When that first happened to me in 1985, I learned the truth: the closer you get to God, the further you are from your humanity. I have yet to decide if that’s sarcasm, irony, or the wages of being holy. But none of it mattered at that moment. It was up to me to select the least shitty course of action, and I had to choose now.

“Don’t use the suicide spoon,” Tess said.

“The what?”

“The big one.”

This was the first time I’d ever looked inside her kit. In it lay two spoons. Both faux gold. The smaller of the two was slightly mangled and heavy with scorch marks. The other was basically untouched. A soup spoon? I wondered, because I ask myself stupid questions when I get nervous.

I showed her the smaller one. “This cool?”

She nodded.

“You shouldn’t cook coated stuff … gives you brain damage.”

“Har-dee-har-har, Sar-duh—I’m dying and you make jokes.” She lay on my sofa, used up, dopesick, but knowing she’d be getting well within seconds had perked her up.

“You’re not dying.”

But she was and had been ever since dope became the love of her life. Tess was an artist. Even though she sold a few paintings, the money they brought didn’t legitimize her. You have to be born an artist. Whether it’s a gift or a defect is a matter of perspective. Some called her a genius, but they didn’t have to clean up after her. The clichés are true. Genius does consort with madness, and it also creates a single-minded ruthlessness that gives genius a license to shit on people, especially those closest to them. Regardless, Tess was mine and always would be.

It all began and ended with what Tess called the dreampurple light. The anxious expression on a welfare mother’s face waiting for the mail to come on the first was dreampurple. The old drunk she saw burst into tears at the little store because old Graydon had caught him boosting a bottle of wine was hell dreampurple; giving the fellow her lunch money, oddly, wasn’t. There was no set rule for the condition except nothing in the natural world, no matter how stunning or powerful, could ever be dreampurple. Tess was born with a dreampurple mind, but it began to fade in her late teens. That’s when she discovered the pills that led her to heroin. She swore that it gave her back the thing she loved and needed most.

It’s not my object to present a DIY on fixing. Let’s say it involves powder melted in a (in this case a smaller) spoon by using a (in this case a red cricket) lighter, then carefully drawing the stuff into a hypodermic needle without air bubbles. Everyone said the bubbles go to your heart and kill you. No one knew anyone that had happened to, but junkies are like anyone else when it comes to needing stupid shit to believe in.

I hesitated … Now was my big moment, and I felt God’s Hot Light on the back of my neck.

“C’mon big sister, be a nice guy. Slide it in easy-like.”

“Say that again, and you’ll be picking up teeth,” I whispered as I shot her up. The effects were immediate, like what Oswald did to Kennedy’s head. Tess was a different breed of junkie. Smack usually turns the user into a useless drooling mess. Although that would happen to her later in the day, she was someone who became very happy, funny, witty, and alive when she was high. Her pupils shot into pinpricks. Tess was on top of the world, but I’d never felt lower: I just fixed my little sister, has it really come to this?

“Is that good? Not gonna die on me?”

“Nope.”

She couldn’t do it herself. Tess had a strange complex about not being able to shoot herself up after she’d been dry for a few days. But just the first one, she’d be fine after that. Some sort of mental hangup. Usually one of her tenth-rate boyfriends did it for her (all of whom she called “Earl”), but the last Earl almost killed her. I made her promise me in the hospital to come see me for that first dry hit in the future. She knew I wasn’t fucking with her, and I knew that she would turn up sooner than later.

“You mean it? No rehab? No speech? Just bring it and you’ll do it?”

I rose, went to the window, and peeked between the drawn drapes. Junkers do not like bright light. The world was going on in the 1985 fashion. It was the year of the power ballad and mall rats. A pastel, dayglo season that smelled vaguely of clove cigarettes and cinnamon. There was something hopeful about the mid-eighties that I could never lay a finger on. It was more than Michael Jackson moonwalking or power tie money, or the vast amount of teen girls imitating Madonna, lips painted as red as a chimp’s cunt. There was a certain optimism that didn’t last. Alas, sometimes forever comes in 1985. Yet I was a bystander of that world. Even though I was only twenty-six, the era had already passed me by. I had but one purpose, I served the Saint of the Unknown Martyr. Anyway, I figured a world like that would keep moving along without my input, and that God would do the same after watching my big moment come and go. He has yet to tell me if I’m wiser; some things a person cannot judge herself.

“What’s the big spoon about?”

Tess seldom lied to me, in the technical sense, but she had the irritating habit of releasing information a bit at a time, usually when it was too late to do anything about it. I really didn’t want to know, but since I’d taken responsibility for her, it was my duty to know as much as I could. She was a tremendous bundle of contradictions that somehow added up to the truth. That’s art, I guess.

“It’s my marilyn-monroeverdose,” as though that explained everything.

“Again, this time in dumb fucker.”

“Only if you tell me why you kept your promise.”

“Because I’m a dumb fucker,” I said.

“What a coincidence! Me too. Got anything to eat?”

Junkers crave sweets. You get used to watching them dump ten packets of sugar into a cup of hot chocolate. It usually brings them to dentures, if they have state insurance. By 1985, I’d been dealing with Tess’s habit for eight years. When she was nodding I avoided being in public with her. She’d be up and even charismatic, then all of the sudden, without warning, the smack in her system dropped into low gear, and the result was a half-awake blob of protoplasm. It was the same as hauling a drunk around. At least dope doesn’t stink.

I kept her limited food groups stocked in my apartment. Vanilla ice cream, Hershey’s syrup, Mountain Dew soda, Pop Tarts, and “Chocolo’s,” which was a fudge Twinkie-like thing that was only on the market for a couple of years; I figure it got the hook after spreading all the diabetes the FDA would allow from one item.“How come I never see you eat anymore?”

I was like Mom and could survive on cigarettes and black coffee for days on end. Tess was the only non-smoking junker I knew. She considered the habit disgusting and even “bad for you”; I’ll let the irony lay as is.

Do you know what you’re doing to me? was the big question I never asked Tess. The answer was sprinkled like ashes on our lives. Mom asked her that plenty. Her answers were the usual “defensive wound” sort of slogans that sound right, but actually deflect the guilt back to you.

Sometime during her disgusting feeding, she again asked why I had fixed her.

“The same reason why you disappear into the bathroom with your kit, like I don’t see,” I said. “Some shit must happen—like there’s a law.”

She laughed. “You’re such a cunt, you know?”

“I am what I am,” I said. “Hey–flash quiz!–Do you know how many times I’ve dragged you to rehab?”

Tess scrunched her face sarcastically, as though seriously pondering the question. It was a gesture from childhood that coasted on nostalgia, for without that I would have wanted to beat it out of her face.

“Um, one too many?”

I made a sound like the buzzer on game shows when the answer’s wrong. “Seventeen, not including jail. On average, every six months. I have finally got the picture. Everyone wants you off the shit but you.”

“The big spoon’s my ticket out,” she said mainly because she was quick to change that subject. “I figure a big-ass shot from it should do the job, should it need doing.”

“That little bit more will do it?” I thought, somewhat horrified because there really is not much of a difference in sizes.

“It’s symbolic, Sar-duh.”

And I’m a cunt? I thought, putting out one smoke then lighting another. But what she said released an old memory from the dungeon.

1975

Our mother’s best friend Nora had a thing about trains. Sometimes I’d walk with her to where we could see the freighters enter and leave the shipyard. Often she would go alone. Mom never went with her on these trips, even though they did most everything together.

“The Choctaw had a saying,” Nora said. “‘Then the railroad came.’”

I was thirteen or fourteen and knew everything. “Injuns say lots of things.”

“Meaning goes two ways,” Nora said, ignoring me, which was my good luck because she could bring me down like no other person. “It’s like those trains. For the Indians, it meant whitey was coming to take everything. But it also meant that you could go away too—at least that’s what I thought threshing in the field, when I heard a whistle blow.”

That has stuck with me through the years. Then the railroad came. For the Natives, it brought smallpox, alcoholism, jail and subservience. But even after the tribes had been wiped out, the railroad never stopped coming. It comes to this very day, always creating new ways then obliterating them when they get old.

The railroad came for Nora late in 1974.

Mom seldom spoke directly to me when I was a teen. That began when I was twelve or so. But none of that mattered when Nora got sick. For a while, a truce was in order.

On Nora’s last day, Tess and I were in the kitchen playing hearts. Mom was at the hospital. We were waiting for a call. We played a lot of cards during the death watch. Mom forbade us from the hospital.

The phone finally rang. Nora had named death Roy and she had told Mom that Roy was coming soon. She wanted all of us to be together one last time. I knew that wasn’t Mom’s idea. She wanted Nora to herself.

The hospital was about a mile and a half across town. The bus system was a joke, and we would have walked if it hadn’t been raining. Nora wanted rain on the day she died, she got that much. The dope that made her uterine cancer bearable often caused her to share such things. We decided to get fancy and use three of our combined fortune of eight bucks on a cab.

I’ve come to an understanding with hospitals and rehab centers and hospices. I quit being artificially cheerful while in them, and they no longer close in on me like one of those squishing rooms used by silly-assed villains on Batman or The Man From Uncle. Still, their ceilings remain too close to my head.

At sixteen, I’d yet to make the deal, and I felt like I was suffocating. Tess was drawn to places of pain because of that fucking dreampurple light; in her mind, faces that absorbed suffering and kept coming back for more were the only beautiful things.

I never experienced dreampurple. Tried once. Tess gave me a swallow of methadone, which tasted like poison. And for a glittering moment, I felt lifted and expanded. Everything I so worried over meant nothing, and there was a sense of well-being utterly alien to me. Then I got sick, everywhere, and for long enough that a trip to the hospital was looking to be in order. It was like a door had shut in my face. When reality came slinking back, I met it with scorn. I couldn’t believe that the physical universe could be so easily swept aside by a teaspoon of a substance that tastes like cherry-flavored Clorox.

At fourteen, Tess was nearing the end of her free-range dreampurple experience. When we arrived at the hospital, it was on her. She was excited, and her pupils were blasted open as though they were set to feed. She was connected to every atom of electricity. Only I noticed. She was otherworldly and utterly amoral; something in her sought the dreampurple beauty in dying. I wanted to slap it out of her.

It never felt possible, yet Nora was going to die. She was not going to pass away or go to a better fucking place. I had hung onto false hope much longer than I should have. The last of it vanished when Tess and I entered her room. It seemed impossible that a person could still be alive in Nora’s condition. She had gone from one-twenty to under seventy pounds in less than six months. Mom was holding a cigarette for Nora, and when she saw us, I caught a glimpse of her shoving something that glinted into her purse with her other hand.

“Hi, Kid. Hey, Sister,” Nora whispered, in an underwater voice. Her skin was the color of old paper, and her eyes were yellow. She always called me Sister. Nothing has ever meant more to me.

I mumbled something and smiled.

I wanted to smack Tess (a long running theme in my life). Her ravenous eyes were sopping up every detail. But that gave over to tears and she sat down and lay her head on Nora’s shoulder.

After a few moments of just standing there, Mom glared at me and nodded at Tess. Nora was increasingly in and out of it, and it was clear that Mom wanted the final moments to herself. So I peeled Tess off Nora. I didn’t know what to do. I kissed Nora on the cheek and hustled Tess out of the room. Without speaking, we left the hospital.

We walked home. The rain had backed off, but it really didn’t matter, we weren’t dying, we’d dry. Even if it had poured, we still would have walked. Nobody wants to make small talk with a cabbie after they have seen death. And I remember that the world was in black and white that day. A huge part of our world lay in ruins, and yet even there, the railroad would still come.

“Mom hid a spoon,” Tess said. “You see it? Bet it had something in it; something for the pain.”

Tess was always too perceptive for her own good.

“Maybe,” I said, “but we won’t talk about it.”

I later dismissed the poison spoon theory. I locked it in the place I used to stick the things I did not want to think about. I convinced myself that Mom hadn’t helped Nora out the door, even though such potions have always been extremely easy to get in our neighborhood. I mean, fuck, she was as good as gone, why hasten it by what—an hour—and risk a murder charge? But I learned that it was the sort of thing lovers do. I’ve never been in love, but I bet that is the sort of thing lovers do.

2015

Tess died in 2008. Dope wasn’t the precise cause, and she never used her suicide spoon. But it had weakened her system bit by bit. She was compliant with her methadone treatment plan (for a change), so the official cause was a heart attack. Mom latched onto that. I figure she did so because an overdose would make her look like a shitty mother. Compared to the ideal standard of motherhood she was lacking, but since the ideals exist only on television, I will say she did her best and let it go at that.

Kidney disease came for Mom in 2015. She died on a Saturday morning. Just like Nora and Tess, in her sleep–while I somehow managed to be out of the room every time. I want to be awake when the blade swings my way. I keep imagining that for the briefest glimmer of a thought that I will know why, and it will all make sense. I guess we all have the things we latch onto.

I last spoke to her a few hours before the end. I snuck her out for a smoke. The CNA’s didn’t squawk about it–they are the real people you meet at the end. Usually Asian and capable of caring to a degree that makes you wonder what’s wrong with you.

It was Friday night. Mom and Nora loved Friday nights. Nora had an apartment upstairs from ours in the same old tenement that was always threatening to burn itself down. They both worked at Howe’s Hardware and when Tess and I were older it was as though Mom and Nora lived upstairs and we had the other to ourselves. Considering how it was with Mom back then, it was a wise move.

Yes, Mom and Nora used to love Friday night. I recall with crystal clarity them getting ready to go out to the Sportsman or White Pig Tavern, the apartment reeking of hairspray and cigarette smoke, everyone talking at once. The radio on. The energy was exciting even though I was not in on it.

And I’d hear them coming home after last call–bumbling but not drunk–just giggling and oh shitting and accusing each other of losing the keys, which always turned up. There were never any men. They were attractive young women, but everyone knew they were a couple and left it at that.

Then the railroad came.

Mom was high on morphine, and we had to bring her drip along. But she was mostly coherent, and kept breathing and producing just enough urine to remain alive. She didn’t speak much toward the close. She was more content than resigned. I think she had been ready for the train since Nora died. Forty years is a hell of a lot of loneliness.

“I can do for you what you did for Nora, if you want,” I said. It would have been easy. And I would have done it if she wanted me to. I figured God might be watching again, maybe giving me a second chance in case I had blown the first.

Christ how she resembled Nora on her last day. Mom looked at me, skin the color of old paper, the whites of her eyes yellow. “I knew you knew …” she said with a feeble laugh. “It was all over Tessie’s face.”

“I can, if you want.” I knew where to get it, but I also knew her answer, which is why I hadn’t bothered. And I couldn’t shake the ridiculous notion that I’d made a polite offer of euthanasia, to my own mother, like offering coffee to a guest.

“No, Sarah,” she said, savoring the final drag off her last cigarette. “Hell ain’t big enough for the both of us.”

31 thoughts on “When the Railroad Comes by Leila Allison”

    1. Hi Paul

      Thank you. I indeed despise sentimentality. Too many confuse that with having deep feelings, which is false. In fact that sort of thing detracts from the honesty of feeling. A sort of a covert up device.

      Thanks again!

      Leila

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  1. These stories about Tess and the Dreampurple light always move me to tears but they are mesmerising and a wonderful example of your skill as a writer. They are about a world that I haven’t experienced (thank goodness) but they are brutal and honest and very human. Really super writing. – dd x

    Liked by 1 person

  2. Thank you Diane (and thank you for the cool image I found).

    I discovered that poverty is worse on people who must take it alone. Get a group together and you can work against it and even feel a bit superior to those richies we called “the Townies.” But for the lonely it wears them down, it kills. Anyway I do not think I could handle being rich, it would have killed me, not built for that at all. I need limitations. I need to hear the word “No.”

    All the events happened. I, of course, not wishing to hurt anyone, made them impossible to prove, impossible for anyone to puzzle together. The first one, though ugly, worked out well because I later got her into the clinic again. The third was inevitable, but the young death in two was unjust and I’ve still got an issue with Heaven about that one. The woman the part was based on was a very good human being and she deserves to still be alive, not dead for over fifty years.

    Thanks again!

    Leila

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    1. Hi Cris

      Thank you kindly. Always tell the truth is a good thing to do in writing. But one must be careful not to do it as a “confessional” only–there must be a larger purpose–without that then it becomes a tiresome bit of ego padding.

      Thanks again!

      Leila

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  3. So intense. So good. We’ve experienced “dreampurple” before, but it’s at its most haunting here. “Then the railroad came” is a chilling motif. “Hell ain’t big enough for the both of us” is a killer ending that ties everything together. A very powerful piece of writing.

    Liked by 1 person

    1. Hi David
      Yesterday I had to clip my reply because Izzy the Cat had one of her hyperthesia episodes. A harmless thing but it looks like hell, a itch reaction that I must tend to.
      I meant to come back and here I am (Izzy is fine).
      Thank you for noting the closing line. Sometimes I have one other times, like this I began praying for something useful at the top of the last page.
      Thanks again!
      Leila

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  4. Hi Leila
    I think sentimentality which was discussed above is also a way of cheating the reader. First off, life itself isn’t sentimental, only some of the people who are living life are.
    Sentimentality is the cheapest of cheap feelings. The most sentimental ones at a funeral, wedding, or birthday party, etc., will ALWAYS inevitably be the ones who are truly feeling it THE LEAST.
    The reader can TRUST your narrator in this story. Paradoxically, the feelings are far deeper because there is no sentimentality here.
    SO MANY television dramas today that are pawned off as serious dramas for adults amount to nothing at all but one sentimental cliche after another piled on top of one another, all so silly and sentimental that one is shocked by how so-called serious adults can sit there watching this gibberish every night of their lives. Sentimentality is also easy and cheap cheating because we’ve all seen it before a trillion-plus times (even the ones who lap it up so religiously) and sentimentality is NEVER ORIGINAL (because it doesn’t really come from the self).
    Therefore, a non-sentimental story like this is such a refreshing blast of fresh air that one wishes it would blow the rest of them away.
    But this kind of fiction demands that the reader GIVE SOMETHING OF THEMSELVES BACK. The first thing is to check all your sentimental assumptions and illusions at the door.
    Also, the tone of this is like the best of F. Scott Fitzgerald, not that you have stolen his tone but that you’ve developed a tone (really tones) of your own that can actually, rightly be said to compete with his in effectiveness. The Great Gatsby himself was sentimental (and died because of it), but FSF’s book about him is anything but.
    Dale

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    1. Hi Dale
      Yes indeed Jay the Old Sport was sentimental. A fool for Daisy and a time already forgotten.
      And like you say it is a fake thing, not even a genuine emotion. Kids can be sentimental because they still need to grow, but in an adult I find it embarrassing and unless that person is comprimised in some natural fashion it is indicative of an emotional failure to launch.
      Thank you!
      Leila

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  5. Leila,
    I made a list every time a single sentence or phrase carried several messages — one on the surface — one or three underneath. Every several inches of text, there was another. It makes you deep without appearing to be deep. It’s simply lush! From the soup spoon to dreampurple to the railroad coming and going. Lips painted on red as a chimp’s … what?! I love how courageous and full of energy you are. — Gerry

    Liked by 1 person

    1. Hi Gerry
      Thank you thank you!
      I admit that I had to debate a bit over the Chimp line, but nothing else felt truer.
      I saw a documentary about the human face years ago with Liz Hurley and John Cleese and there was/is a ” theory” that painting lips like a Chimpazee’s vagina” attracted attention. Nearly swallowed my cigarette when I heard that one!
      Leila

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    1. Hi Ted

      Thank you for your comments. Memories are not all one has when one is still alive. There’s a saying: “A person is old when regrets out number dreams .” That may be the truth. But just sitting there and living in 1985 only may be closer to death than one might think.

      Thanks again!

      Leila

      Liked by 1 person

      1. I was sort of rambling half asleep there but I think I sort of meant the opposite-that even hard memories eventually take on a kind of glow-dreampurple maybe?-life is difficult and every day it’s becoming more so, but we’re all human, after all, with everything glorious and horrible that goes along with that. Forgiveness is better than regret, and permission is even better than forgiveness.

        Ted

        Liked by 1 person

    2. Hi Ted

      As you know WP requires you to be creative when you want to make another comment sometimes. But this is for your latest. Thank you! I understood what you meant, I think, and it was smart and learned, and I appreciate those qualities always!

      Leila

      Liked by 1 person

  6. Leila,
    Lots to love about this story. Your use of imagery, the railroad metaphor which really hit me, also the rhythm of your words, the love between your characters. Exquisite!

    Liked by 1 person

  7. Hi Leila,

    So sorry but I’m a bit behind!!!

    As always, to all who will look, these are my initial thoughts!

    Here are my witterings:
    – First off, regarding the word count – I don’t think you could have cut it.
    Also, it never seemed that there were too many words, I never considered that once.
    – Like after birth, you begin to die (That bit faster) when you use a helluva lot more than when you started.
    – There are a lot of recognisable references from your earlier work throughout – That is all good!
    – Music was good up until 1985 with the odd pile of shite – From 1986 till now, there is more shite than what is good.
    – I only ever knew of one addict that didn’t smoke but he never needed an alternative / back-up as he was always permanently pissed! He wouldn’t pay for a pack of ciggies when he could buy some cider.
    – The big suicide spoon makes sense. I knew of folks who would prepare three or four needles but they normally ended up gouching with the first. To be honest I thought it was more of a ploy to get a script. The guy that was found dead, he was an old hand and he knew what he was doing.
    – I like the phrase, ‘Then The Railroad Came.’ I know all about the having to evolve shite but I still find the idea of progression is more negative than positive. Those who became and continually become rich would / will never complain. The railroads started something that will never stop until it does permanently for all of us.
    – ‘Her skin was the colour of cold paper’ That’s  heart-breaking but a brilliantly perceptive observation.
    – I also believe at the end of our days we will understand. For that split second we will know of nothing or something. (We will be able to differentiate what our brains tell us.)
    – There is an explanation of the loneliness that the mother felt. But there was a complete sense of this throughout regarding the narrator!!

    This is brave, personal, perceptive and most importantly REAL!!!!

    One of your best…Until the next one!!!!

    Hugh

    Liked by 1 person

    1. Hi Hugh

      That dead guy you spoke of who had needles ahead is a Classic Junker and it sounds like he finally had enough of the endless game. People for some reason believe that junkers die with none left in the chamber, but that usually happens when the OD is an accident as most are–but the ones who are “ready” usually stockpile and the sad thing is if they are found by a fellow junker the finder will clean out the corpse before calling the ambulance. Rules of engagement. I know you already know about that, but I only include such for the education of the populace.

      Thanks again, your thoughts and self in general mean a lot to me!

      Leila

      Liked by 1 person

  8. Hi Leila

    Awesome writing! It takes you on a ride to a gritty yet beautiful place.

    They labelled Carver as Dirty Realism ( he didn’t like it), but I like the sound of it. Your writing is like that too, in the best way. Great images and startling descriptions, like the “Suicide Spoon.” And how it became like a religious icon was powerful.

    Your characters are so real! “When the Railroad Comes,” says a lot. I like walking the tracks too. In 1985, I found my 19-year-old self more or less locked up in a state hospital for alcohol and drug treatment. 85 feels like a before-and-after year for me, more after now.

    Great ending too!

    CJA

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  9. Great title & great writing, especially the paragraph walking home from the hospital. Perhaps grief can only be conveyed in short sentences, because grief makes you breathless? You certainly made a case for it here.

    bw

    mick

    Liked by 1 person

    1. Thank you Mick

      You make a great point. We get stingy with our words when we are overwhelmed by a situation. And when we lose someone we can experience isolation because odds are we are the only person(s) in the immediate area feeling that way. And words cheapen the moment–and you want to throttle the first person who begins speaking what Leonard Cohen called “slogans.”

      Thanks again!

      Leila

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  10. Leila,
    The comment from “profoundly” was from me. Something wrong with the WordPress account but I think it’s sorted. Anyway, kudos on the story. I really like your writing.
    Marcus

    Liked by 1 person

    1. Hi Marcus

      Ha! I enjoy the unique names I sometimes see. But it is a bit awkward when you want to be personal and the only option is something like “Hello, Prometheus Still Chained to that Zeus-Damned Mountain.”

      Regardless, it is the words that matter and I appreciate your comments!

      Leila

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