I’ve been thinking a lot about Kurt Cobain. Not so much how he ended it, that lonely moment above the garage, surrounded by impenetrably dense, green, tall trees, surrounded by nobody. Not that, as I sit in the stall nearest the far window, the toilet closed, my knees bent so my Target sneakers don’t show beneath the door.
More what I’m thinking about are his stomach pains, chronic like the doctors say mine are, undiagnosed officially, and constantly changing. I’m thinking about that, and how something can just kind of eat at you, play whatever games it wants with your insides until you’re torn up and ragged, nothing left. And how maybe you’d almost even welcome it, not death exactly, but just something else. I’m wearing a “Nevermind” tee shirt, too, which I’m sure is part of it, the one with the naked baby and the dollar bill, though I’ve put a piece of masking tape over the penis to avoid trouble.
I click my new mechanical pencil and write down in my composition notebook a few more ways I feel tragic, then flush and wash and even though the room is empty I stash the notebook in my locker and go back to Spanish, where we review infinitive verbs for a bit.
I sit close to the front, near enough to Senora Marquez that she can see my notes, so whatever I daydream in class has to stay in my head until the bell rings.
Sometimes, I think, after she calls on me and I know she won’t for a while, it’s good to let the worries and hopes and all of it mix together, let the Spanish and English mix together for a while, the gut pains and tingly fingers and the crush on Diego, my parents trying to gossip with me at dinner, my sister’s shoes I stole and feel bad about, let it all boil. And then when I write it down finally it’s got that mix in it, it’s all sort of combined and makes a little more sense, or at least the focus isn’t so narrow. Who wants to read only about pain?
In the hallway after class this kid Leonard who has a locker three up from mine is looking at me. His muscles are showing beneath his white short-sleeve polo. His parents and older brother pick strawberries like 40 minutes inland and he works there on the weekends and some days even leaves after lunch. His hair is parted on the other side and slicked back.
“Did you hear about Michaela’s brother?”
“No,” I say, grabbing my notebook and math binder, putting my laptop in my backpack because Mr. Sisson gives detentions if he even sees a computer. Leonard just stands there with a stupid half grin. “What, did he finally get out of jail?”
He shuffles quickly back to his locker to get a book. “He wasn’t even in jail,” he says quietly, “it was a misdemeanor, a kind of misunderstanding with the mechanic.”
“Okay.”
“Yeah, he got probation, but that was like months ago, why are we even talking about this?”
“Yeah I know,” I say.
“No, I – I mean, he got arrested last night late. Or early this morning.”
“Huh?”
“Yeah,” Leonard says, “I guess like the FBI or whoever had been watching him for weeks – months, maybe – and figured out he had this whole plan to shoot up the school.”
“Shit,” I say, as the first bell rings. “Jesus, so what happened?” We both start walking down the hall even though I know Leonard has environmental bio with Diego now, downstairs and the opposite way.
“Yeah, he apparently had a list and everything.” Leonard stops suddenly. Kids have to pick a side of him to go around. “We were on it, Steph. You and me, both of us.”
“Where’d you hear this?” I ask, and he’s got no answer.
The other bell rings and a sharp pain pulses out from my stomach, shoots out like a bullet, like so many bullets, really is the right way of saying it, lodging itself beside my belly button and I want to throw up, like Kurt Cobain was doing all those weeks and months and years before.
*
The news goes fast and in all directions, so by lunch it’s in snippets of conversation everyone overhears; and it’s in the pizza and it’s in the sauce; it’s dripping from brown paper bags; it’s in the foil wrapped sandwiches; the condensation wetting Coke cans; the orange seeds spit out on the floor; it’s right there in the weak moustaches of the junior boys, each tight sharp sprout loaded with information and fear; it’s crackling from the frizz and pomp of my friend Shannon’s hair; it’s in the elastic headband that keeps it all under control.
I can feel eyes on me, but those same eyes are looking at other tables, other boys, other girls. Diego gets up to refill his water bottle and I devise a quick plan to be somewhere else when he gets back and then to observe if he notices I’ve moved. I’d hide behind something, but there’s nothing to hide behind and the plan is screwed. I split a cookie in half and then end up eating both sides.
“So this list,” Shannon says.
“Jesus,” I say, because what else is there?
“I’ve never even met Braden’s brother. Heard he was home schooled or something?”
“Wasn’t it Michaela’s brother? That’s what Leonard told me, that it was Michaela’s older brother, what’s his name.”
“Huh?”
“Yeah,” I say. “Tyler? Taylor? Trevor, something like that?”
On the PA system comes Principal Sandersson’s voice, surprisingly clear. There will be an assembly at 2:30 in the gym. Sit on the bleachers by grade.
Math goes by. Complex shapes, pi m squared, conical surface area. How much can this cylinder hold? On to English and Hamlet signing off the letter to Ophelia “Whilst this machine is to him.” I’m not looking for a nice string and narrative to tie everything together – I don’t want to do this for real despite what my creative writing teacher says — but my notebook, as I put stars around the quote, is proof, if you’re open to it, that life and love and death are everywhere, in everything, connected in innumerable ways, fitting into shapes unforeseen, bending and reflecting in splinters and shards of glass from a bedside mirror. Outside, a harsh early September heat wave simmers puddles of oil in the parking lot.
A special bell rings for the assembly. As we’re filing in, Shannon leans in and says, “I heard like 700 people were on the list. That’s crazy, right? That many?”
I start to laugh, first tentative and then it erupts from somewhere deeper as we’re pushed along with our classmates, many of whom we’ve gone to school with since we were just able to talk and walk. “Shannon, there are only 80 kids in our grade, and what, like 70 juniors? The whole school has, what, 350 kids?” I’m smiling. She looks confused, terrified. The neon exit sign flickers as we sit. The basketball hoops are raised on hydraulics, tucked neatly out of sight. “Nobody makes a list with 700 people on it. Nobody even knows 700 people. Do you?”
Shannon looks at her fingers. Her nails are painted blue but they’re chipping.
“I couldn’t make a list of 100 people if I had half the day,” I say, “and that’s including family.”
*
Principal Sandersson talks for a few minutes but honestly, I don’t listen too close. There’s a sense of comfort and peace surging through me, and it’s a new feeling and I want to embrace it, to live in it. Reports of an arrest are accurate, but there is no list, there never was a list. Rumors only, Sandersson assures the crowd. I see the same look of relief on my English teacher, his hands in his pockets as he takes repeated deep breaths. It was weapons related, we find out, but that’s all Principal Sandersson says he’s legally allowed to tell us.
“No list, no school shooting, none of that,” he says again before the final bell rings and we leave for whatever it is we all do after school: shoot hoops, braid hair, ride horses, pick strawberries with our parents, convince ourselves there’s no shooter, no threat, there never was one, no boy with a list, that it will happen somewhere, I mean, obviously, but that somewhere won’t be here, and your stomach problems are all you’ve got to worry about.
Image: Empty school corridor with shiny lino tiled floor and a row of yellow lockers from pixabay.com
What Can Anyone Say

Matt
The idea of the “reason” for being on a supposed list being as bad, or even worse than dying, captures the eternal soul of teenage angst. It’s as though we thrive on cruelty and misery at a certain age. It’s like people tossing shotgun shells at Courtney Love when she was on stage
The Cobain parallel is wonderful. I know the places he grew up and lived at–they are pure hell on sensitive souls.
Great work .
Leila
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Goddamn autocorrect insists on changing Cobaine to cocaine. Little does it know that I know where the edit button is
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It’s difficult to write a convincing narrative from the point of view of a teen when those days are gone but in this story it is achieved perfectly. The hell of it all and then the added fear of things that happen nowadays that didn’t used to be an event. I thought the emotion was captured beautifully and the character of the narrator was very obvious. A super read to start the week – thank you – dd
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Brilliantly conveys the tension and fear adding to the teenage angst. Even though the setting & the circumstances are so very different from when I was that age, the use of just the right descriptive phrase drew me in and carried me through the story. Another great start to the week!
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Hi Matt,
We’ve had stories that have went too far into this subject and they come across as gratuitously real which is a bit crass considering this is still happening.
We had one about a school drill for this type of situation which looked at this in a different way, I think this was similar. The throw-away line was exactly what it was meant to be, a realisation that this will tragically happen again and again.
This is a difficult subject to do any justice Matt and you have done a brilliant job looking at it the way you did.
Perceptive, real, worrying and poignant! There’s a mix of attributes for your story!!!
All the very best my fine friend.
Hugh
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Matt
The way the narrator fixates on Cobain felt highly realistic and very well done. I have 17-year-old daughters and know some of their friends, and am very aware that Cobain is still a living presence among the younger generations. They admire him for many reasons, not just the suicide/drug abuse drama, or romance, but also the rebelliousness about established codes of behavior, the rejection of materialism, war, racism, misogyny, anti-gay sentiment, and authoritarianism in any form, including destruction of the environment by oil companies and big vehicles, and other reasons, like the authentic way he always tried to be himself and not anyone else.
My kids did OK after the pandemic, but many of their friends did not do so well returning to school post-pandemic. And I know of some who ended up hiding out in bathrooms and other similar behaviors, then eventually dropping out.
My kids also had a best friend who died of a fentanyl overdose last October at the age of 14, when they were 16. In many ways, the younger generations are facing a much more dangerous, threatening, and lonely world than the majority of the population used to have to deal with; even though in other ways, things have improved very much, and the list is long in this direction as well.
Thanks for a realistic story that read like a modern-day Catcher in the Rye flash fiction.
Dale
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Great comment.
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I don’t know if this works. Couldn’t do a Leila like. For my generation it was nuclear warfare fear, and the big deaths were Elvis and John Kennedy.
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Doug
Aberdeen, WA is a magic place. It can make a weekend feel like a month.
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I’ve contemplated going to Aberdeen and then the islands. On our 11 day cruise editor got covid, so we are not doing much for awhile. As is my usual personality, I’m negative so far.
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I like the strong narrative voice. The internal monologue feels authentic, especially in the parallels between the MC’s own struggles and Kurt Cobain’s. The story provides an excellent portrayal of adolescent angst and confusion. Glad the school shooting was a false alarm. Now take some Pepto Bismal!
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Matt
I love when a story’s plot lines step aside to reveal why I’m reading the story to begin with. I knew it when all of the heading couldn’t be true: Crime / Mystery / Thriller/ Gen Fict. Crime? Mystery? Thriller?
After the opening paragraphs, plot was only there to move the words. I read it to hear the voice, sample the life within the language. Get into the riff raff parade of little and potential events of a life, real or imagined, in time in a place on the earth.
“Nevermind” was about these wonderful, dreamy sentences.
Gerry
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An absorbing and very modern story. Kurt Cobain, the outsider, an anti-hero to many even now, because of the feeling in the music and because he suffered. I think the fact he turned that suffering in on himself makes him more relatable. Steph relates, she feels like an outsider, but these days the true outsiders are killers with guns who take out their pain on everyone else. The story integrates the rumour of the shooter and its effects on the students with Steph’s own story and reaction. I found the dialogue and narration very easy to follow, genuine and well written. The background theme – what school age Americans today have to deal with – came through very clearly.
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As others have said the narrative voice in this one is absolutely spot on and the subject matter is dealt with really well, without trying to shock. The Cobain start, and the circling back to stomach pains at the end is really effective and the descriptions of how the rumour / gossip travels around the school is really engaging. Most of all, this story reads very genuinely and is very real.
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thank you!
-matt
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