I’m talking with Mrs. Everton, the anorexic faced one-lung Grandmother puffing cigs by the wood stove as snow falls outside. She tells me more blizzards fell in years past, we’re not snowed in yet. She coughs, continues again in that smoky voice; my best friend Keith’s over by the fridge laughing with Lori Baker. Lori’s Mrs. Everton’s niece, black haired, pale faced, arms thin as branches stuck from a frost covered sapling, and fifteen years old.
Keith and I walked up here in the snow, whiteness coming down silent all around from a dark, speck-starred sky. How could this be? Another light kept moving, a yellow beam under the bulk of the mountain edge. Could it be a U. F. O? Light just doesn’t hover over the bush like that, without an engine noise. It floated back and forth silently as we hiked all the way up the unplowed road to the Everton’s place.
We’d taken the bus up from Vernon. It dropped us off about four miles down, on the road near Keith’s house.
“Jackson, my friend, I want to see Lori,” said Keith, so we headed for Everton’s.
We walked full of energy, pushing through the snow, feet trudging over the cold ground, a chill rising through toes and past knees to the chest and out the mouth, frost on the breath, freezing upward. Keith said he fell for Lori. He’d met her just the day before, building a snowman by the pool hall. …. “18, and I don’t know what I want” most of us kids said, but Keith knew.
“I don’t know for how long I’ll be at my aunt’s place,” Lori told us. “But you should visit.”
I have the idea she’s got nowhere else to go.
As we moved towards Everton’s, we tried to figure out the reason for the mysterious light pulsing around the mountain. It couldn’t be a car, no roads up there. It rose up and down at random intervals. “maybe it’s a skidoo,” but there was no sound, and the light hovered above the trees. “At least it’s not coming for us,” said Keith.
We turned the corner, and there in the winter night stood Everton’s old log and fiber board shack. We smelled wood smoke and headed for the warmth.
*********
Mrs. Everton is infamous around the area. She pokes around dressed all in black, picking up people’s cans and bottles, smoking cigarettes and coughing her lung out. Some say she bore twins who died a few days after birth, and she and Art Everton buried them out back under the pine trees. As I stand in the kitchen, she’s pulling cigarette smoke and wheezing badly.
Keith and Lori flirt, laughing and wrestling on the couch. Ethan and Roy, the two teenage Everton brothers, drop down the attic ladder. All the kids sleep up there on mats. The two boys stop as they see Keith with his arms around Lori.
“What’s your business, Keith?” Roy demands.
Lori answers for him. “We met in the snow yesterday. He says he knows you.”
“Yeah, we know Keith all right,” Roy says. “From the chicken farm and elsewhere.”
“Roy’s right, we moved chickens together after school,” says Keith.
“You’ve got a bad rep,” says Roy
Keith’s run off with girls before. He does have great confidence and I don’t know how he manages his popularity.
I don’t like the way Roy stares at Keith. He thrusts his elbows forward in a lift that makes his chest jerk up. He’s gawking at Lori, too. Roy’s about 18, tallish with big shoulders and glasses. He keeps pushing the rims back towards his curly uncombed hair. He’s had some run-ins with the law, mostly for shoplifting and fights.
Ethan, the other brother, is three years younger. We know him from school. He’s giggling and poking a tiny screwdriver around some kind of model airplane engine. He formed the “Ethan On His Own Club,” and took it real seriously, put together a uniform out of different clothes from Thrift Stores and crept around at night looking in people’s windows just to see what was going on. He convinced Keith and I to do it once or twice, but frankly it’s boring watching people cook dinner, feed their dog, or reach their hands towards the channel changer.
“Why don’t you guys find yourselves a uniform?” Ethan asked. “We could have a lot of fun.”
“Boy Scouts was enough for me,” I told him.
Mrs. Everton relates about how in the old days her friends used to drive up on a horse and sleigh to her house to visit, all the bells sounding, “no one does that any more around here, we don’t get the snow like we used to” and I turn and there’s Lori laughing and Keith making more jokes, and Roy standing and leaning on the wall, glowering and pulling on a couple of stray sideburn hairs, “I want you guys to leave,” he says. “You guys need to leave now. We got to go to bed here.”
“Yeah, sure,” I agree. The wood heat washes over me, the stove glows red on the sides, and I know I smell like Mrs. Everton’s cigarettes. “You know, we maybe saw a U. F. O. on the way up here, and I want to check that out.” I say. “Weird lights on the mountain.”
“Hey, why don’t you come with us, Lori?” says Keith. “We could track the aliens.”
“Wow, you guys saw a U. F. O?” Lori raises her small chin, touches Keith’s shoulder.
Ethan lifts his head from where he’s taking apart his toy engine. “Did it look like a giant headlight?” He pauses, then continues. “Any kind of giant headlight that’s not on the road could be an alien ship!”
He’s already up and putting on his snow boots.
Mrs. Everton keeps smoking and totters over to put another log in the stove. Some sparks fly out as she opens the door. I jump to help her, ask if she needs more wood for the fire and she says “yeah, always need more wood,” and laughs, a few teeth gone.
“You gotta stay away from those mushrooms, boys,” Roy laughs, and mimics popping a fungus into his mouth.
“Yeah. The psychedelic aliens could just rise up out of the swamp,” says Keith. “Like this!”
He jumps. Lori squeals and grabs his arm.
“Let’s go, maybe we’ll be abducted!” She giggles. She’s already at the window peeping out at the bare white branches of the birch trees. She presses her nose to the glass.
Roy laughs again. “What do you see in that guy? He’s a total goof.” He sweeps his arm over the table. A few empty cans and a glass tumble to the ash strewn carpet.
“OK,” I say. “We’re leaving. Right, Keith?”
Keith’s got his arm around Lori. He doesn’t seem like he’s in any hurry, but Keith always has a plan. He stands up; he winks at me.
I’m over at the door, pulling on my boots. Mrs. Everton rocks in her chair in front of the stove, puffs on one cigarette, and reaches for another.
Keith and I rush out to the Everton’s yard, Lori and Ethan right behind. I wave the old smoky lady goodbye. Her pale lined face stares out the window, her tiny hands fluttering. Roy stands on the porch, arms folded.
Keith plows a trail through the whiteness ahead, heading for the barn.
Lori catches up to him and he reaches over and throws a snowball. She jumps back, laughing. Ethan’s out by his dad’s old car. He has the hood up, doing something with the inside. I jog up to him, lean over. He says he’s planning to hook up a big floodlight so we can track the U F O…he grins….and Roy’s disappeared from the porch.
If a space creature looked down from above, from the window of the alien ship, they’d see our heads moving among the trees, our positions crisscrossing over the snow… When Lori and Keith enter the barn, the ship wouldn’t find them anymore as they make their way up into the hay.
I imagine myself observed from above too, regard my movements from that alien perspective. I’m alone and in the wilderness at this retro cabin cut off from everyone. I stepped off a bus and into an alternative world. Whatever we think of could perhaps happen… I am wondering where in this yard Mrs. Everton buried those twins, if there’s skeletons hidden beneath the frozen earth, or if it’s some other-worldly rumour created out of gossip and imagination.
*******************
There’s a bang, and Roy bursts out of the house holding a .22 rifle, not a powerful gun when it’s loaded with 22 short bullets, and that’s exactly what Roy says as he runs by me “I’ve got a round of 22 shorts in here,” and he fires the weapon into the air. Now, a 22 short bullet is not that loud when it goes off, but in the quiet of the bush it’s unmistakable, and Keith pops his head out of the hayloft opening at the top of the barn, “What’s going on?”
“I told you to get the hell out of here,” Roy says. “She’s my cousin, not yours.” He’s swinging the gun around and then firing once again at random, in Keith’s direction. My friend leaps from the hayloft and into a pile of snow fallen off the roof. He rolls out of that and dodges through the trees. Lori’s still inside, hiding somewhere in the hay, I guess. Roy stands under the pines, laughing, holding the gun loosely in one arm.
“That got your attention, eh?”
Ethan dashes up to Roy from where he’s been working on the car and grabs the weapon. “That’s mine. I didn’t give permission.” He backs away, holding the gun. There’s silence for a moment… they both pause, and then Ethan unlocks the bolt and unloads the .22, turns and disappears through a snowy gap between the birches, into the deep woods. Roy stays frozen for a moment, then grabs his own face with both hands, screams “You little bastard!” and races after his brother.
There’s a banging from the house. I see Mrs. Everton’s hand slapping the window, and her aged face pressing on the glass.
I turn and run, catch up with Keith. He’s loped a fair way along the dark road that leads out of this wilderness.
“Wow, Roy’s super jealous!” he says, “But I sure would like to go back to Lori tonight!”
He’s laughing and shivering, looks like he forgot his coat.
“You just got shot at!” I say. “If you stay here, you’re as crazy as they are.”
We jog along under the starlight, our footsteps leaving behind perfect white prints. Snow’s falling under that clear sky, but it could be frost powder from the branches of the trees.
“Lucky Roy’s got a bad aim,” Keith says, more serious now. “I don’t wanna get killed.”
We run between the narrowing avenue of trees on either side of the road, and because the road’s not plowed, we look down to avoid tripping or falling off the edge. We don’t hear the car approaching from behind because its lights are off. They don’t switch on until they’re almost upon us…. then there’s a giant flood of white.
Keith reacts right away, leaping over the bank and heading for the biggest trees. His shadow form moves here and there, zig zagging.
I look inside the car, under the floodlight, behind the whirling wipers.
Ethan’s driving, Mrs. Everton sitting on the passenger side, Lori in the back. They pull up. Mrs. Everton opens the car window and hands over Keith’s coat.
“You guys forgot this, you’ll be cold without it” She’s still smoking a cigarette. The lit end glows and the smoke comes out the window into the clear air.
“Thanks. What happened with Roy? He was shooting at us!”
“He’s okay,” says Ethan. “He contracted a bit of cabin fever. Sitting in his room all weekend. Brother needs a regular job. He jumped off in the bush somewhere, looking for you guys.” He leans forward and grins. “Say, have you seen the U. F. O. yet?
I wave Keith over, and he appears out of the trees, grins at Lori in the back seat. I hand him his coat and keep my attention on Ethan. “Roy’s hunting for us?” I ask.
Mrs. Everton coughs: “Ethan took the gun away.” She hands Keith his cap. “You forgot your hat, too.”
“When will I see you again, Lori?” Keith says, as he puts his coat back on.
Lori moves forward then backward, rocking in Mrs. Everton’s smoke, her hair pulled all up around the top of her head, pale ears showing bare in the car shadows. “Maybe we can talk on the phone,” Keith continues, because Lori’s not saying anything, just rhythmically rocking, there in the back of the car.
“If you see those UFOs, let me know!” Ethan says, and nods at me, then backs the vehicle up. He snaps the headlights off again. Perhaps he’s a guy who sees better without them. The car disappears, reversing along the road through the white forest. Then, for a second, the headlights flash once more, before the vehicle vanishes, as if it were never there.
The two of us walk on, move down towards the valley, as all above us tower the snow heavy trees, and the stars above them silver clear. We walk under the night, Keith trudging, kicking up flurries of snow.
“I wonder if we’ll ever meet the aliens,” Keith says.
“I hope they’ll take us to a better place,” I tell him.
“Beam me into deep space,” Keith sings. “The deep space of love.”
He turns around every few steps, then shrugs and stays with me.
I keep my feet straight ahead, moving as quickly as possible down the mountain, watching for the alien light pulse, picturing Lori in the back seat of the Everton’s car and how she turned her head and stared at us from behind the rear window. I think of that last long look under the falling snow, her black hair all bunched up in shadow as Ethan drove her away.
Image: Cabin in the mountains in a snow storm. from Pixabay.com

Harrison
I know this society and you and another site writer Rachel Sievers represent it dead on.
Lots of writers take shots at “PWT” and other worlds they only know about from TV. That’s where guys named “Cletus” and a lack of genetic diversity comes in. Stuff with all the deeper meaning of the Beverly Hillbillies– hacks whose words say even less than the sum of their parts; stuff that empties the page of all possibilities.
People forget about being their “brother’s keeper” and but for the roll of the dice there they go. This story is honest, amusing and fair.
Leila
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I have read R. S’s intriguing stories, and can relate. For sure, there’s a brother’s keeper aspect, we also have to set up boundaries and limits because it’s easy to go over the edge with the brothers. Thanks for the thoughts and comment, Irene A.
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I thoroughly enjoyed the always excellent work of Harrison Kim. I was hooked from the start, with the introduction of the forever-smoking Mrs. Everton, who reminded me of my like-minded Grandmother Opal, who was always similarly occupied. And the characters were superbly drawn: the jealous Roy; the oddly mechanically inclined Ethan; the giggly teenaged siren Lori; the hormone-driven Keith and the somewhat bewildered-by-it-all narrator. The characters were delightfully quirky and so well drawn by Harrison. I’ve read many of his stories over the past couple of years and he is just getting better and better! I thought the side issue of the mysterious UFO was a good diversion from the main story and, happily for the reader, not fully explained. Harrison keeps his readers guessing and speculating and conjecturing and it is such fun. Great effort, Harrison Kim!
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Yes
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I will like “Yes” for it’s positive meaning!
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Yes, folks did smoke way more, esp. after WW2, when people walked a mile for a Camel. The characters were taken from aspects of real people, but names and scenes changed. I always wonder what happened to the Lori character. I often wonder what that UFO was myself, as I experienced seeing the strange lights in the snowy sky with my friend as we walked the winter midnight hills one crazy teenaged night long ago. Thanks for your input and thoughts, B. T.
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Tremendously rich and beguiling with great characters and near perfect pitch – an excellent piece!
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I think these are the people we would call, in the UK ‘salt of the earth’. Genuine and with a strict moral code but looked down upon by those who feel themselves superior. There was so much to enjoy in this and it was very visible. Great stuff – thank you – Diane
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This captures a time, place and culture, and yet the characters are vibrant individuals. But it feels like the round characters are in the noble service of conveying these times and places. The culture was like the main character…and I admire the ability to convey it.
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I try to bring the reader into the story … capture may also be a good word. Thanks for your thoughts, U. H.
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I agree with Leila, that some deride so-called PWT while not understanding it. I am from a poor, white heritage, but never considered myself trashy until I heard the despicable likes of Roseanne Barr pillory that segment of society which is in fact a result of culture, but is not a cult.
The first time I heard PWT was more than 30 years ago, on my first day on the job at the Illinois Department of Public Aid, where we dispensed food stamps, Medicaid and TANF benefits and the like. A woman I knew from my high school days advised me to be aware of the “poor white trash.” Looking inquisitively at her, I asked who she meant.
She rolled her eyes and told me that PWT were the white people who, while they had no more than “the coloreds,” aspired to better things and got “full of themselves.” The Blacks, she said, had accepted their fate, as a result of generations of poverty. And this, she said, was good. Rather stunned, I walked away from her with a word.
The term PWT is insensitive, pejorative and uncalled for. I don’t use it. This story, I agree, is fair and amusing. And I like Leila’s characterization of the “Cletuses” of the world as lacking “genetic diversity.” What a clever way to put it!
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Well put. I just guessed at what PWT was before you explained it. I grew up with some of them. Could have been one if slightly lower in the economic pyramid and didn’t get good grades. Otherwise I would have qualified.
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I have never heard the term PWT until right now. That Department of Public Aid job sounds like an interesting one for a writer!
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I always enjoy Harrison’s stories. A fine take on the weirdness of adolescence. Strong characters, plenty of action, even the title was perfect.
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Harrison
I greatly enjoyed how well-written this story was, overall. From the narrator and the point of view, to the setting and the other characters, each line of this piece performed its necessary function in creating a realistic, believable narrative. In other fiction, the UFO or the rural characters or the remote setting might have been presented in various forms of stereotype or something that a reader feels they’ve seen before. This is a realist narrative that looks easy to do, and that is in truth one of the hardest things to do. There also seemed to be subtle symbols in this story, or images that suggest more than themselves, like “watching for the alien light pulse, picturing Lori in the back seat of the Everton’s car and how she stared at us from behind the rear window.” As in life itself, we don’t know exactly what it means, but we know it means something (if we’re awake). In terms of the setting, I was reminded of Jack London and his Alaska and Yukon Territory in a good way. This piece also seemed to resonate with early Hemingway, the Nick Adams stories (and northern Michigan, parts of which remain extremely rural to this day, including vast settings and all kinds of strange militia activity among certain sectors of the scattered population); and Richard Ford’s “Rock Springs” short story collection from 1987 (Montana and Wyoming). Thanks for excellent work.
Dale
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Most of this story actually happened, maybe not in the exact way I wrote it, but along those lines. I put two separate snowy cabin experiences together. Indeed as you suggest, the mood is mainly what I wish to convey. The Nick Adams stories were a big influence for me, I’ve read them at least a dozen times each. Thanks for your detailed and interesting comment, Dale W. W. B.
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Harrison
After I read some surprise images early on, like “coughing her lung out” and “frost on the breath, moving upward” I started waiting for the next surprise. And when they came, I put the story line in brain storage. For me, that’s a good thing. Then the plot took hold again. That’s a good thing, too.
I enjoyed your story very much. I’ll try the alien POV trick tonight, if I get the chance. But It’s Florida. The aliens are walking around, not in the sky.
Gerry
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I try to absorb the reader into the story, for me, images are key to that…… and I agree about the aliens, not just in Florida. Thanks for your comment, Gerry.
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Kids having innocent fun. Kids being stupid with guns – happy possible injury with gun avoided. A bad adult. Adventure. Having or soon to have joyous sex. Hell, I’m jealous that I (mostly) missed that. Love is a strong word, so I extremely (yes it is an adverb) liked this.
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Adventure, indeed, thanks for the interesting comment on the teenage times, sometimes it’s better to avoid the girl and miss being shot at… in the long run.
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A engaging blend of coming-of-age and mystery. The characters are well-developed, and the setting is vivid. The plot held my attention with a sense of intrigue and people I cared about. Was the UFO youthful imagination or, as the narrator says, a longing for a better life? Both, I guess, and both work. Excellent story, as always by HK.
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This was based on a true story…..I can still see the inside of that cabin. I never did figure out what the UFO really was, there above the snowy mountains. Thanks for the comment, David H.
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What a tremendous opening line. What a tremendous piece altogether.
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Hi Harrison,
The character of the continual smoker is someone that us of a certain age have known throughout our lives. That is a well observed remembrance for want of a better phrase.
I read that this was based on true events which was interesting, some of our best stories are snap-shots of real life dramatised.
In a weird way this reminded me of two films to do with personalities. Quadrophenia which was named after the four members of The Who’s different personalities that manifested themselves into the MC of Jim and the brilliant ‘Identity’ where all the personalities were fighting for control.
This story could be taken the same way.
Interesting and as always, brilliantly written!
All the very best my fine friend.
Hugh
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Harrison, you are a master of these kind of stories – the kind of languid, incredibly familiar, perhaps slightly quiet, small town where most people know most people and entertainment is created via ideas of UFOs, local weirdoes, and whatever local legends the town has. Your ability to draw the reader in, really feel like they are there, know these people, and make the reader care and want to keep reading is second to none.
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