The waitress who has taken my order wears a sepia-coloured dress, checkers faded and hem ruffled. She excuses herself as she leans in and wipes the table with a damp cloth. On her sleeve is a single red, round button. It gleams. She asks me something. My car is parked between two cargo trucks. I’m not usually the type of person who visits roadside diners. The red, round button reflects the light from the fluorescent lamp, its four holes laced with loose black thread.
I’m ten years old, and attempting to catch a ladybird in our garden. My mother brings me a glass of orange juice, because, she says, it’s been a rough day. I manage to catch one after hours of searching. It isn’t good enough. My mother tells me I’ve done my best, and that’s enough. And that’s the exact thing I tell myself some time later, when I’m supposed to be watching my brother and he tumbles off the stairs. I don’t know for how long he’s been crying before I finally noticed.
Coffee, sir? I look up and tell the waitress no thanks, and point at the dark stain on the trousers of my suit. Spilled some on myself earlier at the service, I say. She hesitates, then smiles.
I would have space for plants on my apartment balcony. Ladybirds are attracted to cilantro, dill, fennel, and scented geraniums. I looked that up. Of course I wasn’t aware of this during that summer twenty-three years ago, when I comforted myself with the thought ladybirds don’t live very long anyway, and Liam was only young so he wouldn’t be able to tell the difference. That was also the year I spotted a silver Aston Martin DB7 for the first time and pledged to myself that I’d have one as my first car. I don’t own any plants. I don’t particularly like them. My mother never seemed to. Our garden was filled with tall, unkempt grass.
It’s nearing twilight, and I reek of sweat. The diner smells of burnt sugar and cleaning detergent. I take off my suit jacket and place it on the cracked faux leather seat beside me. There is a bouquet of yellow flowers on the counter. I don’t recognize any of them. I don’t know much about flowers. I suspect they’re fake. Maybe I won’t be brave enough to drive back.
I see Liam again during that summer. He opens the lid of his box and peers inside. His face drops. ‘It’s not him,’ he says without a shred of doubt. ‘He hadno spots… It’s not him!’ to which I reply with my well-studied line, ‘Don’t be weird, of course it’s him. Ladybirds get more spots over time, especially in the summer!’ But Liam wails and screams, the blue plastic lid clutched in his white-knuckled fist, ‘IT’S NOT HIM! IT’S NOT!’ I didn’t understand then that my brother’s terrarium box had been especially selected by him, just like he especially selected everything else. His first car wasn’t an Aston Martin DB7, nor was mine. We shared the crimson-coloured Ford Fiesta that he kept—the one they scraped off the asphalt and brought straight to the dump. They wouldn’t even let me see it.
Ladybirds have a lifespan of two to three years. I don’t think my brother liked ladybirds in particular, but he liked taking care of things. I’ve never been good at that. Not as good as lying to myself, which is why I think the only Aston Martin I own is the toy I got for Christmas. It had a dent on its side and the back wheels were taped to the tin frame. It’s also why I think that if it had been my brother standing at the side of the mortuarium’s table instead of me, he wouldn’t have struggled to answer the simple question asked—Is it him?
The waitress comes back with my order and a cup of coffee. It’s on the house, she says. You look like you need it. I want to grab her hand and tell her, It wasn’t, you know, not really. But I call her back, take a deep breath, and say, Hey, I really like those flowers over there. Are they for sale, maybe?
Image by Nicole Köhler from Pixabay
Hi Joy,
Excellent tone.
You sort of drift with this if that makes any sense and you need to go back to concentrate on the actualities and then you drift again.
It’s quite hypnotic and very well done.
I think we totally understand as we have all been there in this state at some time.
A brilliant piece of writing!
Hugh
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Hi Hugh, thank you so much for your lovely comment. I appreciate it and the opportunity to have my piece published on your wonderful platform. All the best!
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Protagonist is uncomfortable is both the present and the past and doesn’t seem to think much about the future. Beautifully understated and deep.
LA
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Hi Leila, I’m very glad you liked it. Thanks for your comment and all the work you do on the platform. All the best!
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Beautifully written, short but powerful story which painted the scenes while capturing the flowing thoughts of a deeply troubled man.
It was a treat to read.
Looking forward to reading more from you!
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Thank you so much!
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In awe of the grounding in this piece of writing. It’s succinct and yet paints such vivid pictures in my mind of the scenes. The unsettled emotions of the protagonist come through clearly and I love all the ‘fake’ items the protagonist chooses to focus on in the descriptions. Such a persistent anchor back to the ladybird memory!
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Thank you, Sabria ❤
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It is like a tapestry woven with brilliant threads that combine to leave a lasting impression. It takes talent to take on drifting emotions and memories and I felt every nuance lurking in the shadows as well as the grief that this poor man can’t seem to shirk. ( I had to double-check ladybird, in Canada, we call them ladybugs.)
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Hi Monika, I am blown away by your lovely comment. Thank you for reading my piece and leaving me such beautiful and encouraging words!
I’ll admit it is at times difficult for me to pick between writing in American-English or British-English since I myself am Dutch and English is my second language. I went between ladybird and ladybug. Fun fact: In Dutch we call them ‘Lieveheersbeestje’.
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The symbolic ladybird is key. The protagonist’s twilight state of mind comes across in his thinking and his observations.
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Thank you so much for reading and leaving me a comment. I greatly appreciate it!
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Joy
This looks every bit as good as it did one year ago.
Leila
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All the lonely people, where do they all come from
Everybody hurts
Damaged people hurt themselves, those that they love, and school children in Texas
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