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Running.
Gasping.
Retching, the son of Olayo Mejia charges toward his village amid the stench of burning wood and searing flesh. The odor is heavy and it is moist and it fills the valley beneath him in a haze of squalid yellows and heavy browns. It covers the fog-laced treetops and mingles across the terraced fields and, as gunfire again bursts over the Salvadoran hills, its reek grows sharper with every footfall and every wild swing of his arms. Its taste lingers in his mouth, its fumes choke his lungs and he wants so much to pause and catch his breath. He wants to fall to his knees and weep in terror but he knows he cannot, for the helicopters are prowling above him, the smoke is billowing high into the morning air and his home is very far away.
Continue reading “Chalatenango, 1983 by J. Paul Ross”
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