The L train had stopped at the Lorimer Street Station on its way from Manhattan back to Brooklyn when the young man sensed a sudden excitement in the car. He raised his eye from the book he was reading as a full-size stand-up bass sailed past. In moments, a trio of Mexican musicians had set up in the middle of the car.
He nudged his girlfriend “Look,” he said.
Continue reading “Ta Da Dum Bing – a story by Michael Henson”
I see the guitar case first, full more of hope than of the hard currency of shining coins. The kid sits on the pavement, half-hidden in the shadow of a low granite wall. He’s doing a pretty fair rendition of Hey Joe, working a beat-up acoustic guitar. The thing needs new strings, but he’s getting it done. That strange magic, the universal language of rock lyrics, washes away the kid’s Austrian accent. The chords walk down the neck, Joe kills his woman, the crowd ignores the kid.
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