He took a swing at me. I braced for impact as it battered my jaw.
Big mistake, I thought, as I got low, latched on, picked him up. Buddy laughed; guy was having fun with me. Fine. I spun around and took him down.
He snatched my beard, mashed his face into mine. I tore free, pinned his arms, prepared to strike. His feral eyes widened; he knew his fate.
I put my lips on his bare belly and blew. My son squealed and flailed, then stiffened and vibrated. Electrocuted by elation.
Anna entered the nursery bearing a tower of blankets and toys. She bypassed a pillow fort, jumped a wooden barnyard, strode over the boy and me and said, “Don’t rile him up.”
“Yeah, don’t rile me up,” I warned Emerson.
Anna rolled her eyes.
I tickle-attacked the boy’s toes. He launched across the alphabet rug and ducked behind a wicker basket, hiding all but his butt. Anna stifled a laugh as I paused to build tension, then yanked away the basket. Emerson’s mouth fell open as he jerked his head back and gawked at me.
I struck a fighting pose. “Prepare to—”
“Stop,” Anna said. “Please. Nights are hard for me, Alex. I’m alone while you sleep like the dead. It’s not….”
I chased her gaze into falling snow that sauntered beyond the bedroom window, some gathered on the sill. The waning moon encased each flake in a blue-grey aura.
“It’s not fair,” I said.
Anna picked an encrusted spot of puréed carrots off her blouse. “Sorry.”
“Don’t be,” I said. “You’re right.”
We met at a poetry slam that infiltrated my favourite pizza shop. Anna snapped her fingers after each performance, so I did too. Emerson arrived soon after, born four years premature.
We sat on the floor and finagled our son into his PJs.
Anna leaned into me. “You’d help at night…if you could. I know that.”
“I’ll get off the meds.”
“When you’re ready.”
My sleep meds murdered me nightly. Fed me to feverish dreams; in turn, a circular story arose: I dash across a desolate landscape, pursued by a burning beast. Sluggishness sets in. I fall, face down, paralyzed. The air grows torrid as the monster approaches. Hot claws caress my neck, pierce, cauterize. I’m carried off. Yet a part of me remains. Disembodied, so I witness my departure, lose myself in the horizon.
Anna handed me a cloth bag. “Put him in this.”
“What is it?”
“A sleep sack.”
“Sleep sack?”
“It’s like a wearable sleeping bag. Your mom sent it. I like it. There’s no way out.”
My chest tightened; I passed it back. “He’ll get too hot.”
She examined the bag, shook her head, undid the zipper.
I shielded Emerson with my arms. “It’s too much.”
“What are you—”
“Don’t even think of it.” Sweat dampened my neck, chilling my otherwise burning body. Suddenly breathless, I said, “Please…don’t…put him…in a…bag.”
Anna leaned back and studied my face.
“Okay,” she said, then dropped the bag and pressed her forehead to mine. “Okay.”
Emerson held my thumb as I placed him into his crib. He recited a series of consonant sounds punctuated by a sigh, then his eyelids relented.
Anna held up a baby blanket. “Is this better?”
I nodded.
***
It was August in Afghanistan.
Another body bag arrived, placed in formation with the others.
I smoked a sweat-soaked cigarette in the driver’s compartment of my Leopard. Around me: ammunition, beef jerky, mice droppings, unread novels, weathered porn mags.
I was stationed in the hull of the tank, separate from my crew; they worked in the turret, above and behind me. I listened to their chatter. Sarge, our commander, invited the men to his weekly bible study. Blake, our loader, muttered a maybe. Tremblay, our gunner, said he’d rather fuck a beehive.
Sarge was an army anomaly. Didn’t drink, didn’t smoke, didn’t curse. Didn’t even draw dicks on other people’s stuff. And yet, he was likeable.
I climbed out of my compartment and recoiled from daylight’s judgement. The Afghan sun was a dungeon master—a torture virtuoso. Day after day, it wrung me out, discarded my flaccid body like a used towel.
I slammed a bottle of warm water, scanned the terrain. Our vehicle was one of a dozen, parked in a circle, facing outward—a defensive position. To our right: mud huts divided by meandering pathways, bordered by a thirsty riverbed. To our left: acres of weed and poppy fields.
I climbed to the top of the tank. Sarge greeted me with an eyebrow flick, causing his dust-encrusted face to crack like the desert floor. He stirred a silver sack of macaroni and said, “Black body bags were a bad choice. It’s forty degrees.” He pointed his fork at the row of cadaver pouches by the road. “Fifty plus in one of those.”
I rummaged through a box of rations. “Don’t think the occupants care.”
“They’re made of non-porous vinyl. Keeps the corpse leakage in.”
I cringed as I held up an oil-stained ration pack. “Hungarian-goddamned-goulash again.”
Sarge eyed it like a captured rodent. “I wonder how many body bags the medics pack for a mission like this.”
“I wonder how you’re eating mac ‘n cheese when we’ve had nothing but goulash for days.”
Sarge glanced at his lunch. “Nowadays, they’re called human remains pouches, or HRPs for short.”
Blake’s head popped up from his loader’s hole. “Lard Tunderin’ Jesus, Sarge, you sure know your body bags.” He was eating beef ravioli.
Four soldiers struggled to heave an HRP onto the tank beside us.
“Fuck are they doing?” I said.
“No room anywhere else,” Blake replied.
A soldier cried out as the bag slipped from their grip. It hit the pavement, folded in half, then snapped straight. We all winced. Did it land headfirst or feet-first? I wondered. Did it fold nose to toes? Back of head to heels? I bit into a stale cracker.
After a prolonged debacle, the bag was secured atop the tank’s engine compartment.
“Hottest part of the tank,” I said.
“Yup,” Sarge said. “Stovetop.”
“We should say something,” Blake said.
“Let ’em burn.” Tremblay’s voice reverberated from the turret. He crawled out, grimy as a goblin. Evidence of vegetable stew flanked the corners of his mouth. “Taliban, tabarnak, who cares?”
“His parents,” Sarge said. We glanced at the tattered picture of his daughter taped to his episcope.
Tremblay scoffed, “his parents can—”
“Shut up.” Sarge placed a hand on his radio headset; a sombre voice crackled across the comms. His face melted, contorted.
“What?” I said.
He pulled off his headset, rubbed the bridge of his nose. “A kid…”
“Sarge?”
“One of the buildings we hit….” Sarge told the sky. “Kid might’ve been inside.”
Kandahar turned away from the day, toward an indigo twilight. A row of mountains devoured the sun, washed it down with a darkening cosmos. We sat on top of our tank, awaiting orders.
“Taliban’ll be happy,” I said.
Blake nodded. “Big propaganda win.”
Trembly read a magazine with Bob Dylan on the cover, chuckled at something. I played solitaire with an incomplete deck. Our commander’s mind had been AWOL for hours; his abandoned body haunted my periphery.
“We don’t shoot unless shot at,” Blake said through clenched teeth as if responding to a crass question.
“Exactly,” I said. “They attacked us from a building with a kid in it, so it’s on them.”
“Their fault,” Blake said. “Still…shit breaks my heart, man.”
I shrugged, nonchalant. “I won’t lose any sleep.”
***
I awoke with a gasp. Scoured my surroundings. Anna cuddled a paperback beside me, asleep. Auburn light outlined our bedroom blinds, urban birds repeated morning mantras.
I stood, let myself unfurl—jaw, neck, shoulders.
Breathe.
I crept across our bungalow. Shadows of commuters and dog walkers wandered the walls. I adored our boy from the nursery doorway, watched for signs of life. My peace of mind rose and fell with his chest.
I thought about Afghanistan; the day I got the good news, and ran to tell Sarge. He was alone, sitting on an ammo can, watching the morning light crest a school-for-girls-turned-command-post.
“Hey,” I said to his back, “kid wasn’t killed. It’s confirmed.”
His posture straightened as he drew a slow breath, then imploded with an audible exhale.
“Just Taliban bullshit, Sarge. We’re good.”
He picked up a stone, brushed it off. “This time,” he said.
“Come on, man. We do everything to avoid collateral. And at greater risk to ourselves.”
He shook his head.
“Look,” I said, “there’s always a chance something shitty could happen. It sucks, but that’s the job, we knew that coming here. We just gotta get on with it. Do our best to reduce the possibility.”
“Possibility.” He tossed the stone. “Used to be just a word. Now it’s a feeling. And it’s killing me.”
“Okay…”
“You’re a good guy, Alex. Deep down.”
“Deep down?”
“You’re capable of compassion.”
“That’s a relief. Now I can—”
“Ever been forced to care for someone that’s completely helpless?”
“What do you think I’m doing now?”
“Funny guy,” he said. “One day, if you’re lucky, someone’ll depend on you for everything. Some defenceless creature will claim your devotion as a birthright. And it’ll be inconvenient, not to mention exhausting and frustrating and utterly nerve-racking.”
“What a blessing.”
“It’s a beautiful burden. Changes a person.”
“Oh yeah?”
“Yeah. You’ll feel different about things. People. You’ll catch yourself caring about others. Strangers, even.”
“Now you’ve gone too far. I’m not ready.”
“I wasn’t ready, wasn’t even interested. Didn’t matter. My daughter captured my heart from day one. Better yet, she became my heart. Life without her…just the thought…” He rubbed his throat. “Feels like I’m being crushed, slowly.”
“So don’t think about it.”
He ignored my insolence. “I did. I put on armour, blocked it out.”
“Armour?”
“We all wear armour. Protection from unwanted emotions. I got obsessive cleaning and bible reading. You got beer and inappropriate jokes.”
“Well done.”
“When I heard about the kid…here.” His voice quavered. “Same pain, same…suffocation. But now it won’t leave.”
“But a kid wasn’t killed, so—”
“Jesus Christ, Alex, don’t you fucking listen?” He stood, turned toward me.
I shuddered, took a step back despite myself. His face: a condemned chapel with shattered windows.
“Sarge…” I tried to swallow, but my throat wouldn’t budge. His agonized eyes left me breathless, knocked me off balance; sparkling darkness filled the edges of my vision. I looked away, clenched my jaw to collect myself.
“It’s the possibility,” he said. “I can’t bear it. It’s too much.”
“What are you saying?”
“I’m leaving, Alex. Going home early.” He looked away. “Guess I’m a coward. I’m sorry. Tell the guys I’m sorry.”
He left that evening. Chopper took him across the open desert: chacka-chacka-chacka like an infant’s heart.
Emerson shivered; I swooped in to adjust his blanket. His eyes fluttered open and found mine. He reached out, so I scooped him up. He rubbed his face into my chest and then settled. I let my chin rest on his head; guy was a vital part of me, like an organ worn outside the body.
I looked out the nursery window: a cloak of immaculate snow covered the neighbourhood. I couldn’t wait to show Emerson.
Funny, I thought, without him, snow is nothing but a nuisance.
Something erupted, rushed upward, flooded my eyes.
Without him.
I let myself feel it.
Image by Artur Pawlak from Pixabay – Helicopter flying directly towards the viewer in a grey sky

Wonderful. Complex and moving story. I felt all of this, And a great range.
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Thank you for the kind words. It is so rewarding to know that my writing can have that impact on a person.
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Brandon
The misdirection at the start is brilliant; the charming “fight” to the death against the baby against the horrors of Afghanistan.
Seems like the human race always needs this sort of hell to be in session (to borrow a line). Sad thing is it’s everyone’s fault.
Outstanding work .
Leila
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Thanks, Leila. I really enjoyed writing the moment of misdirection at the start. It was a bit tricky to pull off, so I’m always happy to hear it landed with a reader.
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Heartrending, terrible and wonderful all in one small package. I thought there was great skill in this to seamlessly knit together the two strongly emotional situations. The horror of PTSD and the constant fear that accompanies rearing a child. the characters were real and visible and it left me drained and so very sad that we are still condeming people to this. Great writing. Thank you – dd
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Thanks for this warm review, Diane. That combination of “terrible and wonderful” is exactly what I aim for, so I’m glad you felt it.
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When reading this carefully crafted piece, I felt the authenticity of the emotional backlash that occurs after the combat dust has settled. The devotion to family is strong as is the anxiety of subjecting a baby into a sleep sack which seems inconsequential at first until the horrors of collecting body bags is told.
Brandon’s mix of characters is typical of soldiers. Even the homesick Sarge and his thoughts of his daughter is representative of the anguish many on deployment feel.
In many ways this story is a respectful recognition for the 139 Canadians, soldiers and civilians, who died in Afghanistan.
The snow falls heavy in Kabul.
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Hi James, thanks for reading. I’m glad it came across as authentic. As a father and a veteran, writing this story was a challenge, but also rewarding and probably therapeutic.
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Can’t add anything not already said about the story. The moral calculus is complex. The Afghan regime is horrible, but after so many deaths, the war changed nothing.
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Thanks for reading, Doug. Yes, it is a morally complex topic. Afghanistan has had it rough.
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Brandon
The parallels that run through this skillfully written story are profound. like Emerson’s little sleep sac envisioned next to the Human Remains Pouches.
The chacka-chacka-chacka of a helicopter and an infant’s heartbeat.
Gerry
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Thanks, Gerry. I’m so glad the parallels landed with you. I remember the moment I made the connection between the sound of a chopper and a newborns heart, it felt so perfect!
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Brandon
My grandfather was a foot soldier who fought in the Battle of the Bulge, and I have an uncle by marriage who was a Marine sniper in Vietnam. The first veteran never talked about his experience to anyone except to say he was there, and the second person still talks about his war experience more than anything else, sometimes talking about nothing else for hours at a time, once he gets a few extra beers in him. Both examples show how deeply marked both these men were by their experiences in war, which were very brief in actual time frame, but a huge shadow over their entire lives.
Your story of war and peace did a great job of exploring this still-universal experience, since there’s hardly a single nation on this entire globe that doesn’t know about war very intimately, even Switzerland being in the middle of things if not actually participating. The prose in your story is really well-done, taut, accurate, and realistic. The dialogue is very well-written, as are the time sequences and the scene changes. The whole narrative is well-balanced, well-paced, believable and true. Hemingway said the number one quality in a good writer is a good bullshit detector. There’s no B.S. in your story. Thanks for writing!
Dale
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Hey Dale, thanks for this wonderfully thoughtful comment. I find it fascinating how, generally speaking, the generations seem to deal with their traumas differently.
I grew up believing the world war veterans walked on water. They still have my immense appreciation and adoration, but in a more nuanced way. Four of my great uncles fought in Europe and only two made it home.
I appreciate your kind words about my prose. Also, Hemingway’s ghost happens to be my secret editor and, yes, his tolerance for BS is less than zero.
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A tough read but a very well put together piece and one that carried a lot of emotional weight. Well done!
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Hi Steven, thanks for the kind review. It is a tough read, I’m glad you found it moving.
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As a reader I was hooked, but as a father I was moved. The shifting perception of Alex was very skillfully conveyed. That intro was wonderfully delivered as well, bringing an element of violence into a playful scenario before hitting us with the horror of warfare. Excellent.
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Thanks, Alex. Becoming a father is very transformative, as I’m sure you agree. That experience really informed the emotional spectrum of this story for me. I’m so glad you were moved by it.
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Such a compelling story. The juxtaposition of Alex’s tender moments with Emerson with the memories of war creates a poignant emotional arc. Sarge is an excellent supporting character and is seamlessly integrated into the MC’s present day situation. Well-crafted, too. (For example, the description of Sarge’s face as a condemned chapel with shattered windows.) As Leila noted, outstanding work.
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Hi David, I’m happy you found this piece compelling and that the jarring juxtapositions were impactful. Thanks for reading!
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What a powerful story. Two worlds, overlapping, intersecting, nightmares of war mixed with playful joy with Emerson. Falling snow and the hope of a better day, one day at a time.
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Thanks for reading, Lee. I’m glad you felt the hope at the end, as it’s a much needed reprieve from the despair that goes before it.
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This is visceral, hard-hitting and with such great pace. I love your style of writing – laden with unadorned verbs meaning action and movement are upfront. The parallels are deftly handled and bring such poignancy and depth to the horror of the scenes in Afghanistan. In my opinion, this is masterful stuff.
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Hi Paul, thanks for reading. I’m truly humbled by your thoughtful comment. I’m so glad the pacing and parallels made an impact!
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Hi Brandon,
You have put across a believable and humane story in an inhumane situation.
The pace of the story and it’s eventual reveals were stunning. Having no experience of any of this, I still found myself accepting all the premise without one iota of doubt.
You have done a brilliant job with this.
All the very best my fine friend.
Hugh
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Hello Hugh,
War is such a brutal subject and setting that it can be difficult to keep humanity at the forefront when telling these stories. I’m relived you found it to be humane and believable.
Thanks for reading and for sharing this generous analysis of “Death on Rotation.”
Brandon
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