All Stories, General Fiction

Ghost of a Shark by Neil James

The monster on the beach lies on his side – bigger than a boat, sadder than the ocean. The seafront’s deserted at dawn, so I leave my bike in the empty car park, next to the tariff sign that upsets the tourists. My shoes imprint into the wet sand as I approach him, the creature from another world. 

Every step feels like I’m walking in a dream, like I’ll wake up at any moment and laugh at the absurdity of it. Sharks don’t wash up on beaches round here! You’re dreaming, Louis!

Only I’m not, because I’m getting closer and closer to him, and he’s refusing to disappear. The mass of him looms large through the light morning rain. Soon I’m standing over him, able to touch him if I want to, but I don’t. I just stare. Even this close, he doesn’t look entirely real.

Dead things don’t though. Mum looked like a waxwork at the chapel of rest. I only glanced for a split second, then turned away and told Dad I didn’t want to see her. I couldn’t allow that face, so frozen and pale, to be my last memory of her. That night, I studied all my photographs of her to block it out – every Christmas and birthday and summer holiday photograph, trying to fix the images into my mind – her smiles and summer dresses and hands on my shoulders, but none of them seemed real either.    

I tell myself it’s okay; that this is not the same thing, that it’s safe to look at. A shark is just a shark, and it’s an exciting thing for a kid to see.

The first thing I study is his mouth– wide open like you’d see on posters for the Discovery Channel, a cavern of teeth and decay that stinks worse than the bins at the back of the fishmongers.

Next, it’s his eyes. They seem impossibly small, like two forgotten marbles, black and embedded into the ground.  

Then there’s the skin that looks like rubber. The enormous body. Days before, it would have cut through the ocean, powerful, majestic, every muscle controlled by instinct. Today it’s reduced to this – a lump of meat.

No one ever told me what to do if I find something dead on the beach. I know what to do if I’m locked out of the house, or the chain comes off my bike; I even know where to report it if some strange man tries to talk to me by the public toilets, but literally no-one has ever said, if you find a shark’s corpse on the beach, here’s who you should call.

I look across the sand towards the ice-cream cafe in the hope that Brenda will walk over and tell me what to do, or better still, take control of the situation like an adult should. Then I can just stand back and watch the drama unfold. There’s no-one here though, not this early on a Saturday. 

I even wish Cottee were with me. Not that he’d have a clue what to do either, but at least he’d have already come up with some mad theory about how the shark had got here, which we’d laugh about until someone responsible showed up.

A crazy thought enters my head. I should talk to the shark. “How did you get here?” I say. “You seem like you’re a long way from home.”

“Yes I am,” I reply, putting on a growly voice. “Can you carry me back to the sea? I’d like to go home now.” I laugh, but not properly. I’m just trying to kid myself that I feel okay.

 An even crazier thought follows. What if I’m the only one who can see him? What if Brenda from the cafe does walk across, or Dad turns up in his car checking up on me like he does sometimes, and I point at the shark, but they look at me all strange. “Can’t you see it?” I’ll say. “It’s lying there dead on the beach, twelve feet long,” and they’ll be like,

“Louis, there’s nothing there, what on earth are you talking about?”. When I turn back, it’ll be gone – an empty space on the sand, where only seconds before, a dead shark had almost certainly been.

Cottee’s brother used to see stuff that wasn’t there sometimes. He’d say there were voices in the walls talking to him. The doctors took him away somewhere, some sort of hospital a few miles out of town. I don’t really know what happened to him after that. I never ask Cottee about him because he told me not to mention him anymore, so I don’t.  

Touching the shark might help me. You can’t place your hands things on things that aren’t there. I daren’t though. I half expect him to come to life and lunge at my arm the moment my fingers brush against him. Ridiculous. He’s been dead for some time. There are flies crawling across him, and seagulls are landing close, strutting over and pecking, then retreating, just as uncertain as I am.

Someone else is here. He’s just a guy out jogging, a soldier-type with cropped hair and sharp features, running across the beach – the sort of person I see sometimes but who doesn’t see me. The sort of person who runs past me most mornings, eyes fixed ahead. But not today. He looks over, slows down, then stops.

“What the hell?” The look on his face is one I’ll probably see a lot today. “Is this real?”

 I nod.

“Where’s it come from?”

“It was here when I went past. I don’t know. It’s mad, isn’t it?”

“Have you told anyone it’s here?”

“Not yet, no,”

“Unbelievable,” he says, and we both stand staring.

A minute or two later and a grey-haired woman in a navy anorak has joined us. She’s walking a large black poodle on a lead. “What’s this?” she asks.

“A shark,” the man and I answer together.

That’s how the next few conversations go as well. People going about their early morning business, their lives all interrupted by the appearance of a dead shark. One man wearing glasses confirms that it’s a great white. I ask him if he’s a shark expert, but it turns out he’s seen Jaws five times, so he knows exactly what great whites look like. There are seven or eight of us before long. None of us had to walk over, but all of us did. It turns out that no one really knows what to do or what to say.

“Should we ring the police?” asks anorak woman. It sounds ridiculous, but no one says anything, because it seems like no one’s got any better ideas.

“Try the council, bulky waste collection,” suggests one man.

“They won’t even take fridges, mate,” replies the jogger and some of the adults laugh.

We don’t have time for any other suggestions though because other people have started to arrive. Two boys who left my school last year are the first on the scene. I don’t know their names, but I used to see them hanging around the corridors smoking and tripping the younger kids up. They’re swearing and shrieking as they sprint towards us.

 “Mental this is!” shouts the bigger one, and straight away he’s kneeling right next to the shark’s face as his mate takes pictures on his phone.

“Get on top of it,” the friend suggests. “That’s right, sit on it,”

“It stinks, mate.”

“It doesn’t matter, you wimp. Get on,”

Anorak woman’s tutting, but what’s the etiquette for finding a dead shark on the beach?

“Leave it alone,” she says eventually. “The scientists will probably want to look at it and see how it got here.”

The boys ignore her though and continue taking pictures. Before long other people are doing it too – crowding round the shark, posing for selfies – lying next to the shark, arms around the shark, riding the shark, one kid’s got his head in the shark’s mouth and looks like he’s about to be sick afterwards. Oh look, now the shark’s got a hat on, and all the while phones are out and what a great laugh it all is.

I wonder whether Dad’s heard about the shark. I doubt it because social media’s not his thing and it’s too early for the news crews to be on the scene. The story will be spreading like wildfire online though and more and more people are arriving; people all desperate to see death on the beach.

The funny thing is, I know what will happen next. People will turn up – not like the people on the beach right now, but important people in white overalls and plastic gloves. They’ll cover the shark with a tent and put a cordon around it so no one can get close anymore. People will get bored of staring at the tent and saying how strange it all is, and they’ll go and find something else to do. Then one day, everything will be gone. There’ll be nothing left, and I’ll stare at the sand, unsure whether any of this really happened.

Once he’s a memory, I won’t be able to see him fully in my mind. That scares me – that I can’t remember whole pictures. Instead, I’ll have to recall his eyes and his teeth separately, then try to join the fragments to form a complete shark. It’s impossible though. The eyes I’ll remember won’t ever look exactly like they should. They might be too small, or they might be bigger, or maybe a slightly different shape. The teeth won’t be exact either. They’ll be sharper or not sharp enough, or a different shade of dirty white, or there’ll be too many, or too few. The shark in my head won’t be this shark, because this shark will be gone forever and all that remains is the ghost of a shark my brain created.

And how will I be sure it was ever anything more than that? Sure, I can find pictures and say, ‘It’s okay, you’re not going mad like Cottee’s brother, it was all real!’ but what I’m trying to hold on to can’t be captured on paper or screens.

It’s like my favourite photograph of Mum – the one where the two of us are on the bumper cars at a fair when I was four years old. I can see the colour of her hair, and I can see her smile, and I can see her sunglasses, but I can’t see her, no matter how hard I look, or how often. And I can’t remember her. I just say that I can, and I pretend to myself that she’s always with me and living on in memories, and all the other bullshit I have to say to pretend I’m okay.

It’s so bloody hard to explain this. All I know is that things go, and when they never come back, you question whether they were ever here at all.

Neil James

Image – A shark in dark water from Pixabay.com

11 thoughts on “Ghost of a Shark by Neil James”

  1. A brilliant and moving commentary on the ephemerality of memory! Very well written with some nicely resonant descriptive touches (the selfies etc in particular). Excellent!

    Liked by 2 people

  2. Neil

    The reactions of the people are spot-on—especially the “expert” who had seen Jaws “five times.”

    The workings of the kid’s mind, comparing his incomplete memory of his mother to how he would recall the shark, carries the truth of the story. I, for instance, cannot recall what my parents’ voices were like. I remember what they said, but not the sound of them. This touches on such subjects with taste and uses an inventive story line to tell it.

    Leila

    Liked by 3 people

  3. Neil, this was a bit of me.

    The council comment really made me laugh and, as Leila has pointed out, the reactions are absolutely spot on. Also, Louis using it as a simile for his own grief and the tricks our minds play on us was perfect. Really, really enjoyed this.

    Thank you.

    Liked by 2 people

  4. This was so very well observed and cleverly constructed to include observations above and beyond the sight of the poor shark. It was enthralling as it unspooled with the arrival of other people. You can imagine the boy in much later life telling this tale, possibly with many embellishments. I enjoyed this – thank you – dd

    Liked by 2 people

  5. Neil

    For a story to be a story, there needs to be an element of suspense (which means things left out, at least for a while), AND in order to have some kind of suspense, you’ve got to have MYSTERY (which also means things left out, permanently). Your story does a fabulous job of creating suspense through mystery in a realistic way that sometimes makes one wonder whether this is “real” or whether it will all turn out to be a dream, a fantasy, those fleeting, realistic, lifelike moments when we question our own reality…moments have been going on like that since there has been human consciousness, I suspect, and virtual reality, on one level, is absolutely nothing new….imagine turning around and seeing a saber-toothed tiger staring at you through the grass not too far away, and this has happened to people you know on a semi-regular basis! Nothing more unreal and real as that all at once…your SHARK captures something profound about humanity itself! No one worries about politics or possessions, or even pride, during such moments!

    The fact that the shark is such a mythical beast, so legendary, but also presented in such a realistic way in your story, was fantastic!

    I was also GLAD this didn’t turn into a political allegory about environmental destruction, even though I have NO DOUBT that human-caused, catastrophic global warming and climate change is one-thousand-percent real!…and at the same time, this tale seems to hint at such things as climate-related species destruction/extinction, which gives even more (real) levels to your story.

    The parallels with his mother were amazing…again, realistic, lifelike, all drawn with very few strokes in the true short story writer’s way, and memorable…

    As Lewis Carroll once wrote, “Life! What is it but a dream?”

    Thanks for such excellent writing! The narrative voice was simple in a good way, accurate, believable, human, convincing! I could say a lot more about this story because I was so impressed with it, but I’ll stop here…

    Dale

    Liked by 1 person

  6. Wow, this is so powerful and painful and just—perfect. How is death so giant and extraordinary while also being the most ordinary thing in the world? How do we reconcile those two sides of death—do we have to make it small, cheapen it, in order to cope? Can we find a way to let it be both enormous, life-changing, yet…normal? This little boy, with all his pain and fear and worry, is so familiar to me. Thank you for letting me glimpse something of myself in him.

    Liked by 1 person

  7. Neil

    Your story got me introspecting how memories are and aren’t. And how little we understand about what we actually remember. In fact, we might learn more about memory from reading Ghost of a Shark than reading Freud. A memoirist once told me, when I questioned the dialogue in one of her scenes, “Well, that’s what we said.” It happened 50 years ago.

    I tried Proust a long time ago. I forget now.

    Gerry

    Liked by 1 person

  8. I could see that action or lack thereof as the story unfolded, a characteristic of good stories. The comments on memory were first rate.
    Oregon connection – we see remnants of dead animals on the coast regularly, particularly crabs and sea jellies (biology person editor informs of the correct term). I seem to remember a seal or other acquatic mammal as well.
    Infamous event I did not witness several years ago. A large beached whale was blown up sending whale parts onto the closer observers.

    Liked by 1 person

  9. Loved this. How the appearance and discovery of a shark relates to the loss of the narrator’s mother, but then the mock conversation between themself and the shark the narrator makes, through to others turning up. Absolutely superb narrative voice throughout: smart, real, engaging, deep, and great to read. And, this line: ‘It’s so bloody hard to explain this.’ is a genuinely brave line to use in my opinion.

    Liked by 1 person

  10. This story is a riveting exploration of childhood trauma, crowd mentality, disrespect in the presence of mystery, and the fragility of memory, which compounds loss. Beautifully executed piece!
    Claire Massey

    Liked by 1 person

  11. Hi Neil,

    I enjoyed this!!
    The kid is a bit fucked up and still grieving his mother. I thought the last line was excellent and the idea of; when something goes away, how do we know that it was actually here is deep and a wee bit worrying. It is a statement on memories I suppose.
    I also liked the section when the folks all turned up as I have wondered time and time again when this happens, what the fuck are they doing there. Who in their right mind would want to see a decaying animal in all its indignity??

    Excellent my fine friend!!

    Hugh

    Like

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